{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O131404"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O131404/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AP5757/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AP5757/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AP5757","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O131404","accessionNumber":"E.516-1997","objectType":"Photograph","titles":[{"title":"Photography is Dead. Long Live Painting","type":"assigned by artist"}],"summaryDescription":"This work playfully examines the illusion and traditions of both painting and photography. A ‘real’ vase of sunflowers, undoubtedly referencing Van Gogh, sits next to a painted version arranged to appear in correct perspective for the camera. In a further twist, the photograph is printed on watercolour paper. 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Long Live Painting', inkjet print, September 26, 1995","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1997</u>"},{"reference":{"text":"Haworth-Booth, Mark. <u>Photography: An Independent Art</u>. London, 1997.","id":"AUTH328379"},"details":"p.200, p.87","free":""},{"reference":{"text":"","id":""},"details":"","free":""}],"production":"Attribution note: 9/45","productionType":{"text":"Limited edition","id":"THES48862"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"sunflowers","id":"x35980"},{"text":"vase","id":"AAT132254"},{"text":"","id":""},{"text":"paintings","id":"AAT78928"},{"text":"","id":""}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"David Hockney has often used photography alongside drawing and painting to question the nature of perception. In this image he playfully examines the illusion and traditions of painting and photography side by side: a 'real' vase of sunflowers, undoubtedly referencing Van Gogh, sits next to a painted version arranged to appear in correct perspective for the camera. A further twist in the visual pun is provided by printing the photograph on watercolour paper. Despite the work's title, denouncing photography, it ironically relies on the camera for its execution.","date":{"text":"2008-2009","earliest":"2008-01-01","latest":"2009-12-31"}},{"text":"This work playfully examines the illusion and traditions of both painting and photography. A ‘real’ vase of sunflowers, undoubtedly referencing Van Gogh, sits next to a painted version arranged to appear in correct perspective for the camera. In a further twist, the photograph is printed on watercolour paper. 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