{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1304961"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1304961/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2016JC2724/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2016JC2724/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2016JC2724","copyright":"©Victoria and Albert Museum, London/Carl Toms","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1304961","accessionNumber":"S.382-2015","objectType":"Theatre design","titles":[{"title":"Design by Carl Toms","type":"generic title"}],"summaryDescription":"Costume design by Carl Toms for an unidentified production, late 20th century.\n\nCarl Toms (1927-1999) was one of the most successful British theatre designers of the late 20th century. He designed settings and costumes for all the major British theatre companies, including the National Theatre (both at the Old Vic and on the South Bank), the Royal Shakespeare Company (though never for Shakespeare) and Chichester Festival Theatre, and for numerous productions in London’s West End. He had a long association with the plays of Tom Stoppard, collaborating with the director Peter Wood. Toms also worked for opera and ballet companies in Britain, Europe and the United States, designed for films (memorably creating the skimpy fur bikini for Raquel Welch which was the abiding memory of the 1967 epic <i>One Million Years B.C.</i>), and was responsible for the redecoration and refurbishment of the Theatre Royals at Windsor (1965), Bath (1982) and Richmond (1990). In 1969 he was design consultant for the Investiture of the Prince of Wales at Caernarvon Castle.\r\n\r\nToms was born in Nottinghamshire and began his training at the Mansfield College of Art, before going on to the Royal College of Art and then to the Old Vic School. There he was trained by Margaret Harris, a third of the celebrated Motley design partnership. Harris introduced Toms to Oliver Messel, the most celebrated designer of the mid 20th century, and Toms became Messel’s assistant for six years (1952-57), making many of the models of Messel’s designs now held in the V&A.  \r\n\r\nThe design belonged to Harry Schneider, who worked for the costumiers, Berman and Nathan's, and made the costumes for Carl Toms.","physicalDescription":"Costume design for an unidentified production. Full length female figure in a Far Eastern-style costume of fawn and white headdress and fawn and white robe with wide sleeves. She holds a fan. Signed. Mounted.","artistMakerPerson":[{"name":{"text":"Toms, Carl","id":"A35554"},"association":{"text":"designers","id":"AAT25190"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"watercolour","id":"x33202"},{"text":"gouache","id":"AAT70114"},{"text":"ink","id":"AAT15012"},{"text":"crayon","id":"x30605"},{"text":"paper","id":"x30308"},{"text":"art board","id":"x33244"}],"techniques":[{"text":"drawing (image-making)","id":"AAT54196"},{"text":"painting (image-making)","id":"AAT54216"}],"materialsAndTechniques":"Watercolour, gouache, ink and crayon on paper, mounted on board","categories":[{"text":"Entertainment & Leisure","id":"THES48959"},{"text":"Designs","id":"THES48968"},{"text":"Theatre","id":"THES250537"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2016JC2724"],"imageResolution":"low","galleryLocations":[{"current":{"text":"001","id":"THES356716"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"costume design","id":"AAT163423"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"late 20th century","earliest":"1950-01-01","latest":"1999-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"37.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"design","note":""},{"dimension":"Width","value":"25.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"design","note":""},{"dimension":"Height","value":"49.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""},{"dimension":"Width","value":"34.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"mount","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Carl Toms'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Artist's signature, pencil, lower left hand corner"}],"objectHistory":"","historicalContext":"","briefDescription":"Costume design by Carl Toms for an unidentified production, late 20th century","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["S.382-2015"],"accessionNumberNum":"382","accessionNumberPrefix":"S","accessionYear":2015,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-08","recordCreationDate":"2015-01-05","availableToBook":true}}