{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1297407"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1297407/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014HF3300/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014HF3300/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2014HF3300","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1297407","accessionNumber":"S.1416-2014","objectType":"Costume design","titles":[{"title":"The Queen of Spades","type":"generic title"}],"summaryDescription":"Design for a stage costume by Leslie Hurry for Tchaikovsky's &lt;i&gt;Queen of Spades&lt;/i&gt;, Sadler's Wells, 1966. The design is for a costume worn by the nursemaids in Act 1, Scene 1. \n\nThis production of the three-act opera, <i>The Queen of Spades </i>by Peter Tchaikovsky, with its libretto based on Alexander Pushkin’s story by Modest Tchaikovsky, was performed in an English translation by Rosa Newmarch. The first production of this opera at Sadler’s Wells Theatre opened on the 14th of September 1966. The production was directed by Anthony Besch with choreography by Harry Haythorne and Leslie Hurry’s designs were lit by Charles Bristow. \n\nLeslie Hurry (1909-1978) trained at the Royal Academy and during the 1930s became known as a surrealist painter. A one-man show in London in 1942 was seen by the theatre director, Michael Benthall, who recommended Hurry to the dancer and choreographer, Robert Helpmann, then planning a ballet based on Shakespeare's <i>Hamlet</i>.  The success of his designs set Hurry on a second career as one of the most distinguished theatre designers of his generation.  He designed operas, ballets and plays, notably <i>Swan Lake</i> for the Sadler's Wells Ballet in 1943, a production which stayed in the repertoire for thirty years; <i>Venice Preserv'd</i> for Peter Brook (1953); the Ring Cycle at Covent Garden (1954), and <i>Troilus and Cressida</i> at Stratford for Peter Hall (1960), famous for being staged in a sand pit.\r\n\r\nLeslie Hurry’s designs for <i>The Queen of Spades </i>were criticised for their lack of colour, and for failing to convey the lavish dress and wealth of aristocratic society in eighteenth century St Petersburg. The Sunday Times, however, considered the sets ‘harmoniously coloured’ and ‘suitably uncluttered and oppressive’ and a reviewer writing for The Times found the costumes of Russian officers in the gambling scene particularly 'appealing'.\r\n","physicalDescription":"Design for a stage costume by Leslie Hurry for Tchaikovsky's &lt;i&gt;Queen of Spades&lt;/i&gt;, Sadler's Wells, 1966. The design is for a costume worn by the nursemaids in Act 1, Scene 1.\nThe design shows a full length profile image of a female figure. She is wearing a bonnet with a high crown and wide brim, edged with a frill. An apron is tied around her waist and rest on the pleated, pale blue skirt of her dress.","artistMakerPerson":[{"name":{"text":"Hurry, Leslie","id":"A9404"},"association":{"text":"designer","id":"AAT25681"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Sadler's Wells","id":"AUTH323842"},"association":{"text":"producer","id":"AAT197742"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"},{"text":"paper","id":"x30308"},{"text":"graphite","id":"AAT11098"},{"text":"blue ink","id":"x45989"},{"text":"ink","id":"AAT15012"},{"text":"watercolour","id":"x33202"}],"techniques":[{"text":"drawing (image-making)","id":"AAT54196"},{"text":"painting (image-making)","id":"AAT54216"}],"materialsAndTechniques":"Black ink, watercolour and pencil drawing","categories":[{"text":"Entertainment & Leisure","id":"THES48959"},{"text":"Designs","id":"THES48968"},{"text":"Opera","id":"THES263971"}],"styles":[],"collectionCode":{"text":"T&P","id":"THES48602"},"images":["2014HF3300"],"imageResolution":"low","galleryLocations":[{"current":{"text":"009","id":"THES356600"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"design","id":"AAT54190"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"drawn","id":"x30545"},"note":""}],"productionDates":[{"date":{"text":"1966","earliest":"1966-01-01","latest":"1966-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs Caro Rathbone","dimensions":[{"dimension":"Height","value":"37.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"19.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Queen of Spades'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Handwritten annotation in ink, at centre top"},{"content":"'<u>Nursemaids</u> Act I Sc I\n<u>varients </u>for 6 singers'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Handwritten annotation in ink at the bottom right hand side of the sketch"},{"content":"'6 COSTUMES + CLOAKS'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Handwritten annotation in black biro, bottom left hand corner of sketch"},{"content":"'MISS FASSO\r\n\" [ILLEGIBLE, CROSSED OUT]\r\n\" PURCELL\r\n\"VERRIER\r\n\"LEGGAT\r\n\"MAHER'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Handwritten annotation in pencil, bottom right hand side of design."},{"content":"<u>U/SKIRT </u>- BOTTOM APPLIED\r\n3 [illegible] each\r\n\r\n<u>BLOUSES</u> - 3 each \n\n<u>SKIRTS</u> - 5 ½ [?] each\r\n\n<u>APRONS</u> - 1 ¼ each'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Handwritten annotation in pencil on the rear of the sketch"}],"objectHistory":"","historicalContext":"","briefDescription":"Design for a stage costume by Leslie Hurry for Tchaikovsky's <i>Queen of Spades</i>, Sadler's Wells, 1966. The design is for a costume worn by the character Tchekalinnsky, played by the tenor Donald Pilley, in Act 2, Scene 1 and Act 3, Scene 3","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":["Queen of Spades"],"galleryLabels":[],"partNumbers":["S.1416-2014"],"accessionNumberNum":"1416","accessionNumberPrefix":"S","accessionYear":2014,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2014-07-28","availableToBook":true}}