{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O129312"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O129312/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BU5247/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BU5247/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BU5247","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O129312/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O129312","accessionNumber":"E.2749-1990","objectType":"Photograph","titles":[{"title":"The Angel at the Tomb","type":"assigned by artist"}],"summaryDescription":"Just as she modelled her Madonna photographs on Renaissance art, Julia Margaret Cameron looked to painting and sculpture as inspiration for her allegorical and narrative subjects. Some works are photographic interpretations of specific paintings by artists such as Raphael and Michelangelo. Others aspired more generally to create ‘Pictorial Effect’. \r\n\r\nCameron's harshest critics attacked her for using the supposedly truthful medium of photography to depict imaginary subject matter. Some suggested that at best her photographs could serve as studies for painters. \n\r\nThe title refers to the angel that appeared at Christ's tomb after his resurrection, though in the biblical account the angel was male.","physicalDescription":"Half-lenght profile of a woman (Mary Hillier) with uncombed hair.","artistMakerPerson":[{"name":{"text":"Cameron, Julia Margaret","id":"A8214"},"association":{"text":"photographer","id":"AAT25687"},"note":""},{"name":{"text":"J.B. 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Obernetter company became Emile Obernetter after his son took over in 1884."}],"associatedObjects":[],"creditLine":"Nevinson Bequest, 1990","dimensions":[{"dimension":"Height","value":"28.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"21.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"44.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"32","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"From Life Registered Photograph Copyright Julia Margaret Cameron","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Recto in ink by JMC at the bottom"}],"objectHistory":"Nevinson Bequest, 1990.","historicalContext":"","briefDescription":"Photograph by Julia Margaret Cameron, 'The Angel at the Tomb' (sitter Mary Hillier), collotype, 1870, printed later but probably before 1884","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Julian Cox and Colin Ford, et al. <u>Julia Margaret Cameron: the complete photographs.</u> London : Thames and Hudson, 2003. Cat. no.264, p. 209."},{"reference":{"text":"","id":""},"details":"","free":"Series: Mike Weaver, Julia Margaret Cameron, University of Southampton and The Herbert Press, 1984"},{"reference":{"text":"Cox, Julian and Colin Ford, with contributions by Joanne Lukitsh and Philippa Wright. <u>Julia Margaret Cameron: The Complete Photographs</u>. London: Thames &amp; Hudson, in association with The J. Paul Getty Museum, Los Angeles and The National Museum of Photography, Film & Television, Bradford, 2003. ISBN: 0-500-54265-1","id":"AUTH321348"},"details":"Cat. no. 264, p. 209","free":""},{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum Department of Prints, Drawings and Paintings Accession Register for 1990</u>"}],"production":"As the inscription visible on E.2746-1990 and E.2749-1990 indicate, this collotype was made from internegatives (negatives made from rephotographing prints)","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Hillier, Mary Ann","id":"N2496"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"portraits","id":"AAT15637"}],"contentConcepts":[],"contentLiteraryRefs":["(Matthew 28:1-7) After the Resurrection, God sends an angel to the empty tomb to announce that Christ has risen."],"galleryLabels":[],"partNumbers":["E.2749-1990"],"accessionNumberNum":"2749","accessionNumberPrefix":"E","accessionYear":1990,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2006-11-21","availableToBook":false}}