{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O128952"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O128952/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AL4387/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AL4387/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AL4387","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AL4386","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AY4566","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KC5947","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O128952/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O128952","accessionNumber":"2558-1856","objectType":"Dish","titles":[],"summaryDescription":"Within Renaissance society,  great emphasis was placed on the continuation of the lineage. Politically and economically advantageous alliances were meticulously negotiated and lavishly celebrated. This was only possible with extravagant spending and those who could afford it paid vast sums of money to fete the occasion. An elaborate courtship involved the exchange of many gifts particularly associated with, and often made especially for, the ritual. Therefore, art objects had a specific role in the practical business of arranging a marriage, translating tangible wealth in to signifiers of abstract virtue.\r\n\r\nLove was a major iconographic theme in the decoration of maiolica. Besides the amorous themes from myth and legend, there exist numerous plates painted with the idealised portrait of a woman, often accompanied by her name or an  inscription. In this instance, the female figure is depicted carrying the pierced heart in an expression of virtuous devotion, so important to Renaissance ideals. She stands between two symbols of fecundity and fruitfulness, which symbolise the hopes of the union. Fertility and chastity were both highly-valued qualities in women wishing to make a successful marriage.","physicalDescription":"Dish. In the centre is a female figure, holding  a heart pierced by two arrows in a chalice with a crown above it; she stands between two large fruits or ears of maize on branching stems, with the words: EL MIO CORE E FERITO P VOE (\"my heart is smitten by you\") inscribed behind her. Round the rim is a border of peacock-feather ornament.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"earthenware","id":"x29356"},{"text":"tin glaze","id":"AAT233436"}],"techniques":[{"text":"painted","id":"x30138"}],"materialsAndTechniques":"Tin-glazed earthenware","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Earthenware","id":"THES48964"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2006AL4387","2006AL4386","2006AY4566","2017KC5947"],"imageResolution":"high","galleryLocations":[{"current":{"text":"10A (VA)","id":"THES49098"},"free":"","case":"4","shelf":"","box":""}],"partTypes":[[{"text":"Plateau","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Deruta","id":"x35295"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1470-1490","earliest":"1470-01-01","latest":"1490-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"8.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"38.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Weight","value":"2.1","unit":"kg","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Measured for the Medieval and Renaissance Galleries","marksAndInscriptions":[{"content":"'EL MIO CORE E FERITO P VOE'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"My heart is smitten by you","transliteration":"","type":"","note":"inscription"}],"objectHistory":"Historical significance: Love was a major iconographic theme in the decoration of maiolica. Besides the amorous themes from myth and legend, there exist numerous plates painted with the idealised portrait of a woman, often accompanied by her name or an  inscription. In this instance, the female figure is depicted carrying the pierced heart in an expression of virtuous devotion, so important to Renaissance ideals. She stands between two symbols of fecundity and fruitfulness, which symbolise the hopes of the union. Fertility and chastity were both highly-valued qualities in women wishing to make a successful marriage.","historicalContext":"Within Renaissance society,  great emphasis was placed on the continuation of the lineage. Politically and economically advantageous alliances were meticulously negotiated and lavishly celebrated. This was only possible with extravagant spending and those who could afford it paid vast sums of money to fete the occasion. An elaborate courtship involved the exchange of many gifts particularly associated with, and often made especially for, the ritual. Therefore, art objects had a specific role in the practical business of arranging a marriage, translating tangible wealth in to signifiers of abstract virtue.","briefDescription":"Dish, in the centre of which is a female figure, holding a heart pierced by two arrows; Deruta, 1470-1490","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Watson, Wendy M. <u>Italian Renaissance Ceramics From the Howard I. And Janet H. Stein Collection and the Philadelphia Museum of Art</u>. Exh.cat. Philadelphia: The Philadelphia Museum of Art, 2001."},{"reference":{"text":"","id":""},"details":"","free":"Rackham, B. <u>Italian Maiolica</u>.  London: Faber & Faber, 1952."},{"reference":{"text":"","id":""},"details":"","free":"Syson, Luke & Dora Thornton. <u>Objects of Virtue: Art in Renaissance Italy</u>. London: The British Museum Press, 2001."},{"reference":{"text":"","id":""},"details":"","free":"Musacchio, J. <u>The Art and Ritual of Childbirth in Renaissance Italy</u>. Yale, 1999."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["2558-1856"],"accessionNumberNum":"2558","accessionNumberPrefix":"","accessionYear":1856,"otherNumbers":[{"type":{"text":"Rackham (1977)","id":"THES56972"},"number":"113"}],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LP6894","2019LT5476","2019LW8305"],"recordModificationDate":"2025-04-16","recordCreationDate":"2006-11-03","availableToBook":false}}