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Dedicated to the Memory of Richard Wilson. Novr. 28. 1823","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed on the back in ink by the artist"},{"content":"","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed on the back in pencil by the artist is one of the forms of signature used by Richard Wilson."}],"objectHistory":"","historicalContext":"In 1823 Constable's chief exhibit at the Royal Academy was 'Salisbury Cathedral from the Bishop's Grounds' (No. 254 [FA 33] in this Catalogue).  He visited Fisher in August (see Nos. 256 [281-1888] and 257 [354-1888]) and stayed with Sir George Beaumont at Coleorton from the last week of October until the end of November (see Nos. 259-262 [835-1888, 815-1888, 266-1888, 356-1888]).\r\n\r\n[G Reynolds, 1973, p. 155, 156]","briefDescription":"Drawing, A Stone dedicated to Richard Wilson in the Grove of Coleorton Hall, by John Constable, pencil on paper, 1823","bibliographicReferences":[{"reference":{"text":"Gray, Anne and John Gage, <i>Constable: impressions of land, sea and sky</i>, National Gallery of Australia, Canberra, 2006","id":"AUTH356837"},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 155, 156, 166, 167"},{"reference":{"text":"Evans, Mark et al. <i>Vikutoria & Arubāto Bijutsukan-zō : eikoku romanshugi kaigaten = The Romantic tradition in British painting, 1800-1950 : masterpieces from the Victoria and Albert Museum</i>. 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