{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O127912"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O127912/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2007BM5871/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2007BM5871/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2007BM5871","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2007BM5872","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2016HY9628","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LX7064","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O127912/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O127912","accessionNumber":"REPRO.1886-190","objectType":"Tabernacle","titles":[{"title":"Tabernacle","type":"generic title"}],"summaryDescription":"This is a plaster cast of a marble tabernacle from the Church of S. Croce made by Mino da Fiesole in the third quarter of the 15th century. Recorded by BOCCHI (1677) as being in the Convent of the Murate in Florence. In 1815, it was transferred from the cloister of that Convent to the Sacristy of S. Croce. The two inscriptions HIC EST PANIS VIVVS·Q·DECELO·DESCENDIT· (Here is the Living Bread which descends from Heaven) O SALVTARIS.HOSTIA (O Host of Salvation) refer to the Host kept in the tabernacle behind the central door. It is this Host, symbolic of Christ's sacrifice upon the Cross, promising redemption, which the angels are adoring. Signed OPVS MINI.\n\nMino da Fiesole (or Mino di Giovanni)(ca. 1429 – 1484), was a sculptor from Tuscany specialising in marble. He was influenced by Desiderio da Settignano and Antonio Rosselino and is well known for his portrait busts. \n\nPlaster casts were especially sought after during the 19th century, when reproductions of great works of sculpture and architecture were thought crucial for the training of artists. A separating substance was applied to the surface of the work to be reproduced, and a plaster mould made from that. The mould would then be used to make any number of additional plaster copies. These were often sold to artists, and later in the century to art colleges for study purposes.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"da Fiesole, Mino","id":"A1967"},"association":{"text":"sculptor","id":"AAT25181"},"note":"of original"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"plaster","id":"AAT14922"}],"techniques":[{"text":"casting","id":"AAT53104"}],"materialsAndTechniques":"Plaster cast","categories":[{"text":"Architecture","id":"THES48993"},{"text":"Christianity","id":"THES48978"},{"text":"Sculpture","id":"THES48896"},{"text":"Religion","id":"THES48900"},{"text":"Plaster Cast","id":"THES270451"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2007BM5871","2007BM5872","2016HY9628","2019LX7064"],"imageResolution":"high","galleryLocations":[{"current":{"text":"46B","id":"THES49798"},"free":"","case":"WE","shelf":"","box":""},{"current":{"text":"46B","id":"THES49798"},"free":"","case":"WE","shelf":"","box":""},{"current":{"text":"46B","id":"THES49798"},"free":"","case":"EXP ","shelf":"WE","box":""},{"current":{"text":"46B","id":"THES49798"},"free":"","case":"WE","shelf":"","box":""}],"partTypes":[[{"text":"Tabernacle","id":"AAT207778"}],[{"text":"Tabernacle orig marble by mino da fiesole","id":""}],[{"text":"Tabernacle orig marble by mino da fiesole","id":""}],[{"text":"Tabernacle orig marble by mino da fiesole","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Florence","id":"x28848"},"association":{"text":"sculpted","id":"x30774"},"note":"original"}],"productionDates":[{"date":{"text":"ca. 1450-75","earliest":"1445-01-01","latest":"1475-12-31"},"association":{"text":"sculpted","id":"x30774"},"note":""},{"date":{"text":"ca. 1886","earliest":"1881-01-01","latest":"1890-12-31"},"association":{"text":"cast","id":"x32615"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"274.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"142.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'HIC EST PANIS VIVVS·Q·DECELO·DESCENDIT·' \n\n ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"'Here is the Living Bread which descends from Heaven'","transliteration":"","type":"","note":""},{"content":"'O SALVTARIS.HOSTIA' ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"'O Host of Salvation'","transliteration":"","type":"","note":""},{"content":"'OPVS MINI'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signed "}],"objectHistory":"Acquired in exchange from Berlin Museum in 1886 for £7 10s (150 marks).","historicalContext":"Recorded by BOCCHI (1677) as being in the Convent of the Murate in Florence. In 1815, it was transferred from the cloister of that Convent to the Sacristy of S. Croce. The two inscriptions HIC EST PANIS VIVVS·Q·DECELO·DESCENDIT· (Here is the Living Bread which descends from Heaven) O SALVTARIS.HOSTIA (O Host of Salvation) refer to the Host kept in the tabernacle behind the central door. It is this Host, symbolic of Christ's sacrifice upon the Cross, promising redemption, which the angels are adoring. Signed OPVS MINI.","briefDescription":"Plaster cast of a marble tabernacle, from the Church of S. Croce, Florence, by Mino da Fiesole, third quarter of the 15th century, Florence, cast ca. 1886","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["REPRO.1886:1-190","REPRO.1886:2-190","REPRO.1886:3-190","REPRO.1886:4-190"],"accessionNumberNum":"190","accessionNumberPrefix":"REPRO","accessionYear":1886,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LM5682","2019LN8669","2019LW9432"],"recordModificationDate":"2025-04-16","recordCreationDate":"2006-09-21","availableToBook":false}}