{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O127708"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O127708/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LK9310/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LK9310/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2019LK9310","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O127708","accessionNumber":"E.299-2006","objectType":"Print","titles":[{"title":"All London Tracks","type":"assigned by artist"}],"summaryDescription":"This print by Jeremy Wood uses the latest in satellite mapping technology, a GPS (Global Positioning System) receiver; it is a navigational device that reads signals for latitude, longitude and altitude from a network of satellites. Such receivers are commonly used in cars to guide the driver for the best route to their destination. Wood, in effect, spies on himself, tracking down his own movements in order to produce a comprehensive map of his journeys, thus creating a map narrative of his life. He then prints the resulting digital maps as archival inkjet prints. He effectively uses himself as a drawing tool, mapping his life with his body. \r\n\r\nThis print, ‘All London Tracks’, is a record of all the artist’s tracks captured in London over the past five years, ending in August 2005. The dense black lines reveal the most travelled routes, and the red lines across the map are patterns made while flying above London on commercial airline flights. He describes his works as “visual journals of his travels”.  His work is a discourse between fine art and new technology, balancing between printmaking, drawing and storytelling.","physicalDescription":"Print with lines following the artist's journeys across London, some lines are thicker than others, drawn over a grid with some red lines across the page","artistMakerPerson":[{"name":{"text":"Wood, Jeremy","id":"A18004"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Archival inkjet print on paper","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LK9310"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MM","shelf":"5","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"United Kingdom","id":"x29336"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"2005","earliest":"2005-01-01","latest":"2005-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Purchased through the Julie and Robert Breckman Print Fund","dimensions":[{"dimension":"Height","value":"60.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"97.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"'All London Tracks', Jeremy Wood, archival inkjet print; United Kingdom, 2005","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"London","id":"x28980"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"travel","id":"AAT80094"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Using GPS satellite mapping technology, Jeremy Wood tracked his own movements through London over a period of five years. In this map-narrative or what he calls a 'visual travel journal', the denser black lines represent the most travelled routes and the red lines are patterns made while flying over London.","date":{"text":"2007","earliest":"2007-01-01","latest":"2007-12-31"}}],"partNumbers":["E.299-2006"],"accessionNumberNum":"299","accessionNumberPrefix":"E","accessionYear":2006,"otherNumbers":[],"copyNumber":"3/4","aspects":["WHOLE"],"assets":["2019LW9223"],"recordModificationDate":"2025-04-09","recordCreationDate":"2006-09-13","availableToBook":false}}