{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1272058"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1272058/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EC1123/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EC1123/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EC1123","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1272058/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1272058","accessionNumber":"IS.83:2-1963","objectType":"Manuscript page","titles":[{"title":"Kalpasutra","type":"popular title"}],"summaryDescription":"The Kalpasutra (Book of Rituals) is the most important canonical text in Jain literature for the Svetambaras (white-clad), one of the two sects of Jainism.  Jainism is one of the oldest religions to have survived until the present time and its basic teaching is one of non-violence.  The Kalpasutra is divided into three sections.   The first section deals with the lives of the twenty-four Jinas or Tirthankaras, who were the Jain spiritual teachers or 'ford-makers'.  The second part deals with the life of Mahavira, the twenty-fourth Tirthankara.  The third part deals with rules for the ascetics and laws during the four months (chaturmas) of the rainy season, when ascetics temporarily abandon their wandering life and settle down amidst the laity. This is the time when the festival of Paryushan is celebrated and the Kalpasutra is traditionally recited.\r\nThe illustration on this folio shows the first Tirthankara, Rishabhanatha. The upper register shows his birth, while the lower register shows his marriage.","physicalDescription":"Verso of an illustrated leaf, from a manuscript of the <i>Kalpasutra</i>, opaque watercolour and ink on paper, text only, with a red disc in the centre.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"opaque watercolour","id":"x35013"},{"text":"paint","id":"AAT15029"},{"text":"paper","id":"AAT14109"},{"text":"ink","id":"AAT15012"}],"techniques":[{"text":"painted","id":"AAT54216"},{"text":"written","id":"AAT54698"}],"materialsAndTechniques":"Painted and written in opaque watercolour and ink on paper","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Jain","id":"THES49013"},{"text":"Religion","id":"THES48900"},{"text":"Manuscripts","id":"THES48922"},{"text":"Illustration","id":"THES48938"},{"text":"Bonita Trust Indian Paintings Cataloguing Project","id":"THES263148"}],"styles":[{"text":"Western Indian","id":"AAT19057"}],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2010EC1123"],"imageResolution":"high","galleryLocations":[{"current":{"text":"004","id":"THES403770"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"page","id":"AAT194222"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"India","id":"x29790"},"association":{"text":"made","id":"x28654"},"note":"Western"}],"productionDates":[{"date":{"text":"15th century","earliest":"1400-01-01","latest":"1500-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"IS.83-1963","id":"O141282"},"association":"Verso"}],"creditLine":"","dimensions":[{"dimension":"Length","value":"11.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Illustration only","note":""},{"dimension":"Height","value":"8.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Length","value":"26.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Full page","note":""}],"dimensionsNote":"Full leaf Paper: 26.3 x 11.1 cms. 7 lines. Double -ruled black margins (3.5cms) filled with red discs.  Good condition.","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Manuscript page, <i>Kalpasutra</i>, inscription, opaque watercolour and ink on paper, Western India, 15th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Balbir, N. et al, 'Catalogue of the Jain Manuscripts of the British Library including the holdings of the British Museum and the Victoria & Albert Museum'. London, British Library and Institute of Jainology, 2006. Vol 1, pp.38-39, Vol 2, pp.125-126."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Rishabhanatha","id":"N11383"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"Jainism","id":"AAT143540"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"PAGES FROM KALPASUTRA MANUSCRIPTS \r\n\r\nBELOW: THE BIRTH OF RISHABHA AND HIS MARRIAGE \r\n\r\nOpaque watercolour on paper\r\nGujarat, c. 1400-1450\r\n\r\nIS.83-1963 \r\n\r\nThis illustration shows Rishabhanatha, the first Jina, who was credited with the invention of agriculture, fire, various arts and social institutions including marriage, although the text actually concerns Mahavira. The biographies of all the Jinas in Shvetambara literature contain five great events, which can be seen in the paintings here: transfer of the embryo, birth, renunciation of worldly life, enlightenment, and final liberation on leaving mortal life.","date":{"text":"14.05.2010","earliest":"2010-01-01","latest":"2105-12-31"}}],"partNumbers":["IS.83:2-1963"],"accessionNumberNum":"83","accessionNumberPrefix":"IS","accessionYear":1963,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-04","recordCreationDate":"2013-09-06","availableToBook":false}}