{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O126833"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O126833/"}},"images":null,"see_also":null},"record":{"systemNumber":"O126833","accessionNumber":"E.459-1953","objectType":"Etching needle","titles":[],"summaryDescription":"Typically engravers use burins with a diamond or lozenge shaped profile to incise their designs into metal. The action of engraving with a burin creates a tapered line, which swells in the middle. The shavings of metal that are brought up are scraped or burnished off before printing. This burin was used by the artist Samuel Palmer. ","physicalDescription":"Etching tool.","artistMakerPerson":[{"name":{"text":"Donaldson","id":"AUTH337147"},"association":{"text":"maker","id":"x40240"},"note":"possibly"},{"name":{"text":"Samuel Palmer","id":"A2333"},"association":{"text":"user","id":"AAT145814"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"wood","id":"AAT11914"},{"text":"alloy","id":"AAT10902"},{"text":"steel","id":"AAT133751"}],"techniques":[{"text":"metal-working","id":"AAT53946"}],"materialsAndTechniques":"Wood, metal alloy and steel.","categories":[{"text":"Tools & Equipment","id":"THES48883"},{"text":"Printmaking techniques","id":"THES252987"},{"text":"Metalwork","id":"THES48920"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"high","galleryLocations":[{"current":{"text":"514A","id":"THES49773"},"free":"","case":"19","shelf":"DR13","box":"EDUC 9J"}],"partTypes":[[{"text":"Tool","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":"possibly"}],"productionDates":[{"date":{"text":"third quarter 19th century","earliest":"1850-01-01","latest":"1875-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[{"object":{"text":"E.460-1953","id":"O126834"},"association":"Set"},{"object":{"text":"E.3980-1923","id":"O126830"},"association":"Set"},{"object":{"text":"E.4530-1923","id":"O126832"},"association":"Set"}],"creditLine":"Presented by Miss Dorothea Short","dimensions":[{"dimension":"Height","value":"150","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"6","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"of shaft"}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"In 1850, at the age of forty-five, Samuel Palmer took up etching. The artist's son, A. H. Palmer, gave the tools to three people: Sir Frank Short, Martin Hardie, and F.L. Griggs. Hardie and Short each donated two of Palmer's etching tools to the V&A museum. In a note sent to Martin Hardie in 1923 A. H. Palmer recalled that the tools with 'German silver fittings were made by one Donaldson, in industrious, between bibulous, intervals - a noted man at his craft'.","historicalContext":"","briefDescription":"Etching needle used by Samuel Palmer.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1953 </u> London: HMSO, 1963"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.459-1953"],"accessionNumberNum":"459","accessionNumberPrefix":"E","accessionYear":1953,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-01","recordCreationDate":"2006-08-03","availableToBook":false}}