{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O126800"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O126800/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011EN0942/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011EN0942/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2011EN0942","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O126800/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O126800","accessionNumber":"P.34-1953","objectType":"Watercolour","titles":[{"title":"A country road leading towards a church","type":"popular title"}],"summaryDescription":"","physicalDescription":"A countryside landscape with a path in dense woodland, leading to a church with a spire in the distance. In the foreground a shepherd  is resting, his grazing sheep are on the road and bank.","artistMakerPerson":[{"name":{"text":"Samuel Palmer","id":"A2333"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"water-colour","id":"AAT15045"}],"techniques":[{"text":"painting","id":"AAT54216"}],"materialsAndTechniques":"Watercolour","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011EN0942"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2A","shelf":"DR77","box":""}],"partTypes":[[{"text":"watercolour","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Shoreham","id":"x31223"},"association":{"text":"painted","id":"AAT54216"},"note":""}],"productionDates":[{"date":{"text":"ca.1828","earliest":"1823-01-01","latest":"1832-12-31"},"association":{"text":"painted","id":"AAT54216"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"184","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"152","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'One of numbers done at Shoreham showing the love of vivid contrasts of chiaroscuro.'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"The mount inscribed by A. H. Palmer."}],"objectHistory":"This drawing was previously in the collections of A. H. Palmer and Sir Frank Short, R.A., P.R.E., R.I., by whom it was lent to the Samuel Palmer Exhibition at the Victoria and Albert Museum, 1926 (no.82: reproduced on PL.X of the catalogue), and was no. 38 in the exhibition 'Samuel Palmer & His Circle' organised by the Arts Council, 1957. It is no.91 (reproduced as Pl.44) in the catalogue of G Grigson's 'Samuel Palmer. The Visionary Years', London, 1947. Grigson relates it to 'The Magic Apple Tree' in the Fitzwilliam Museum, Cambridge.","historicalContext":"","briefDescription":"'A country road leading towards a church'. Water-colour by Samuel Palmer, England, ca.1828.","bibliographicReferences":[{"reference":{"text":"Vaughan, William, Barker, Elizabeth E., Harrison, Colin, et al. <i>Samuel Palmer 1805- 1881 : Vision and Landscape</i>. London : British Museum Press 2005","id":"AUTH354696"},"details":"no. 36","free":""},{"reference":{"text":"<i>Catalogue of an exhibition of drawings, etchings & woodcuts by Samuel Palmer and other disciples of William Blake.</i> London, Pub. under the authority of the Board of Education, 1926","id":"AUTH354389"},"details":"no.82","free":""},{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum Department of Prints and Drawings and Department of Paintings Accessions 1953 </u> London: HMSO, 1963"},{"reference":{"text":"<i>Samuel Palmer and his Circle : the Shoreham period</i>, London : Arts Council of Great Britain, 1956","id":"AUTH354697"},"details":"no. 38","free":""},{"reference":{"text":"","id":""},"details":"","free":"Fabian Miller, Garry (artist/author) Topp, Gary (author) <u>Garry Fabian Miller: Adore</u> Bristol : Arnolfini, 2023\r\n\r\nPublished to coincide with the exhbition <i>Garry Fabian Miller: Adore </i>at the Arnolfini Gallery, 18 February to 28 May 2023\r\n\r\npg. 115 The darkroom is now obsolete and its natural mirror - the dark night sky - is being erased by electric light. My work owes as much to night walking as to daylight. At night I feel close to the outer light buried in the earth and the night sky. On moonless nights when the stars are free, this deeper light is intense. When the moon returns with the sun's reflected"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"churches","id":"AAT7466"},{"text":"woodland","id":"AAT157169"},{"text":"path","id":"AAT8321"},{"text":"shepherd","id":"AAT25617"},{"text":"sheep","id":"x30093"},{"text":"rural scenes","id":"x46958"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["P.34-1953"],"accessionNumberNum":"34","accessionNumberPrefix":"P","accessionYear":1953,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-16","recordCreationDate":"2006-08-03","availableToBook":false}}