{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O126688"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O126688/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LK6944/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LK6944/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LK6944","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LK6945","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2019LK6946","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BK5205","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O126688/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O126688","accessionNumber":"T.64-1954","objectType":"Kimono","titles":[],"summaryDescription":"","physicalDescription":"Kimono of silk crêpe, freehand paste-resist dyed and embroidered with silk and gold-wrapped silk thread. The design is of flowers and leaves in a watery landscape, with birds and butterflies, against a blue ground. Some of the undyed areas have been left without further embellishment to create a particular design effect known as shiroage, or 'finishing off in white'. The garment is lined with red, plain weave silk.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"silk (textile)","id":"AAT243428"},{"text":"crêpe","id":"AAT183741"}],"techniques":[{"text":"resist dyeing","id":"AAT53053"},{"text":"embroidering","id":"AAT53653"}],"materialsAndTechniques":"Crêpe silk, resist-dyed and embrodiered ","categories":[{"text":"Textiles","id":"THES48885"},{"text":"Embroidery","id":"THES48960"},{"text":"Womenswear","id":"THES49044"}],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2019LK6944","2019LK6945","2019LK6946","2006BK5205"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES404226"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Kimono","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Japan","id":"x29399"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1750-1800","earliest":"1750-01-01","latest":"1800-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Mrs Sydney Aris","dimensions":[{"dimension":"Length","value":"161","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"121","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This kimono was given to the V&amp;A by Sydney Dorothy Aris (1884-1966) who was born in Manra Island in Kiribati, the daughter of John T Arundel (1841-1919) who had various business interests in the Pacific including the mining of guano and phosphates. Arundel and his wife Lillie named their daughter for her place of birth, Manra being known as Sydney Island at the time. It is not known how Mrs Aris acquired her Japanese objects, but in correspondence with the museum she mentions knowing Thomas B Blow who lived in Kyoto from 1906 to at least 1914 and supplied Japanese objects to many collectors in Europe. It is not clear whether Aris herself visited Japan. In 1954, she also gave a large group of Japanese paintings and prints to the museum.\r\n\r\n\r\n\r\n","historicalContext":"","briefDescription":"Outer kimono (uchikake), plain weave silk crêpe with embroidered and freehand paste-resist dyed decoration, Japan, 1750-1800","bibliographicReferences":[{"reference":{"text":"Kimono: Kyoto to Catwalk","id":"AUTH407397"},"details":"Jackson, Anna (editor), London: V&A Publications, 2020","free":"\r\n"},{"reference":{"text":"","id":""},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":""},{"reference":{"text":"","id":""},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"Flowers","id":"x35571"},{"text":"Butterflies","id":"x30135"},{"text":"Birds","id":"x35043"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The second half of the 18th century saw a dramatic change in kimono design. Large scale, often singular, motifs gave way to small-scale patterns rhythmically scattered over the whole surface. These were generally executed in freehand paste- resist dyeing, sometimes with touches of embroidery.\r\n","date":{"text":"29/02/2020","earliest":"2020-02-29","latest":"2020-02-29"}}],"partNumbers":["T.64-1954"],"accessionNumberNum":"64","accessionNumberPrefix":"T","accessionYear":1954,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-27","recordCreationDate":"2006-08-01","availableToBook":false}}