{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1265535"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1265535/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2021MX2030/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2021MX2030/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2021MX2030","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HM3104","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2015HM8499","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1265535/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1265535","accessionNumber":"C.107-2013","objectType":"Sculpture","titles":[{"title":"The Severed Head","type":"assigned by artist"}],"summaryDescription":"Using architectural details as starting points,\r\nJames Rigler reduces forms to their essential\r\ncomponents and employs monochrome colours.\r\nThe results often appear like oversized models or\r\ntoys. ‘The Severed Head’ derives from a stone\r\ncarving of a disembodied head set upon a\r\ngatepost in Pollok Park, Glasgow. Its title is\r\ndescriptive, but also suggests the process by\r\nwhich architectural ornament might become free-\r\nstanding sculpture.","physicalDescription":"Sculptural head of highly abstracted form. Straight-sided upright cylindical form with domed top and undulating base, with openings representing eyes and mouth. Earthenware, press-moulded and altered, bisqued to 1150 degrees, and glaze fired to 1080 degrees with an off-white glaze.","artistMakerPerson":[{"name":{"text":"Rigler, James","id":"AUTH325947"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Earthenware","id":"x29356"},{"text":"ceramic glaze","id":"AAT15092"}],"techniques":[{"text":"moulded","id":"x30076"}],"materialsAndTechniques":"Earthenware, glazed, press-moulded and altered","categories":[{"text":"Ceramics","id":"THES48982"},{"text":"Studio Pottery","id":"THES48889"},{"text":"Sculpture","id":"THES48896"},{"text":"Scotland","id":"THES262877"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2021MX2030","2015HM3104","2015HM8499"],"imageResolution":"high","galleryLocations":[{"current":{"text":"137","id":"THES49876"},"free":"","case":"Dense display","shelf":"","box":""}],"partTypes":[[{"text":"Form","id":"AAT56272"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Glasgow","id":"x28891"},"association":{"text":"made","id":"x28654"},"note":"Glasgow Sculpture Studios"}],"productionDates":[{"date":{"text":"2013","earliest":"2013-01-01","latest":"2013-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Acquired through the generosity of Gerard and Sarah Griffin","dimensions":[{"dimension":"Height","value":"72.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"45","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Originally shown in the exhibtion 'James Rigler: The Fading City', Marsden Woo Gallery, London, 21 March to 4 May 2013, exhibit number 9.","historicalContext":"","briefDescription":"Sculpture, 'The Severed Head', glazed ceramic, James Rigler, Glasgow, 2013","bibliographicReferences":[],"production":"James Riglers first piece made in Glasgow Sculpture Studios.","productionType":{"text":"","id":""},"contentDescription":"Ceramic sculpture inspired by the entrance posts to Pollok House, Pollok Park, Glasgow. On top of each post sits a severed head on a platter, looking quite jolly. These inspired Rigler to make 'The Severed Head' and 'Stolen Helmet'.","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"James Rigler (born 1978)\r\n\r\n‘The Severed Head’\r\n2013\r\n\r\nUsing architectural details as starting points,\r\nJames Rigler reduces forms to their essential\r\ncomponents and employs monochrome colours.\r\nThe results often appear like oversized models or\r\ntoys. ‘The Severed Head’ derives from a stone\r\ncarving of a disembodied head set upon a\r\ngatepost in Pollok Park, Glasgow. Its title is\r\ndescriptive, but also suggests the process by\r\nwhich architectural ornament might become free-\r\nstanding sculpture.\r\n\r\nMade in Glasgow\r\n\r\nGlazed Earthenware\r\n\r\nMuseum no. C.107-2013\r\nAcquired through the generosity of Gerard and Sarah Griffin","date":{"text":"17/11/14","earliest":"2014-11-17","latest":"2014-11-17"}}],"partNumbers":["C.107-2013"],"accessionNumberNum":"107","accessionNumberPrefix":"C","accessionYear":2013,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-09-30","recordCreationDate":"2013-06-27","availableToBook":false}}