{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O126425"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O126425/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2025PK1694/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2025PK1694/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2025PK1694","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2025PK1693","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AW4008","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O126425/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O126425","accessionNumber":"E.1517-1905","objectType":"Print","titles":[{"title":"Nocturne: the River at Battersea","type":"popular title"},{"title":"Nocturne","type":"published title"}],"summaryDescription":"Whistler was an American artist who lived largely in France and England. He found inspiration for many of his paintings and prints along the banks of the river Thames, often choosing to depict the river landscape at night or seen through mist or fog. This view of the Thames at Battersea shows the distinctive skyline silhouetted against the clear sky at dusk.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Whistler, James Abbott McNeill","id":"A8983"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Way, Thomas Robert","id":"AUTH332882"},"association":{"text":"printer","id":"x30811"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Boussod, Valadon & Co.","id":"A20856"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"paper (fiber product)","id":"AAT14109"},{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"lithography","id":"AAT53271"}],"materialsAndTechniques":"lithotint with scraping, on a prepared half-tint ground, on chine collé","categories":[{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2025PK1694","2025PK1693","2006AW4008"],"imageResolution":"high","galleryLocations":[{"current":{"text":"SHLN","id":"THES49063"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"printed and published","id":"x35383"},"note":""}],"productionDates":[{"date":{"text":"1878","earliest":"1878-01-01","latest":"1878-12-31"},"association":{"text":"designed","id":"x29338"},"note":""},{"date":{"text":"1887","earliest":"1887-01-01","latest":"1887-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"259","unit":"mm","qualifier":"","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"},"part":"image","note":""},{"dimension":"Width","value":"117","unit":"mm","qualifier":"","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"},"part":"image","note":""},{"dimension":"Height","value":"330","unit":"mm","qualifier":"","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"},"part":"sheet","note":""},{"dimension":"Width","value":"235","unit":"mm","qualifier":"","date":{"text":"2024","earliest":"2024-01-01","latest":"2024-12-31"},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"'Nocturne', lithotint on chine collé by James McNeill Whistler, second state, printed by Thomas Way, published in the portfolio <i>Notes</i>by Boussod, Valadon and Co., London, 1887","bibliographicReferences":[{"reference":{"text":"Hoozee, Robert (ed.), <i>British Vision. Observation and Imagination in British Art 1750-1950</i>, Brussels : Mercatorfonds ; Ghent : Museum voor Schone Kunsten, 2007","id":"AUTH354952"},"details":"33","free":""},{"reference":{"text":"","id":""},"details":"","free":""},{"reference":{"text":"","id":""},"details":"p. 160","free":"Clara Marcellán, Jonas Beyer, Peter Norgaard Larsen, Ramón Andrés, Sandra Gianfreda y Florian Illies, ‘Hammershøi: El ojo que escucha’, Museo Nacional Thyssen-Bornemisza, 2026. ISBN: 9791387729073"}],"production":"First published in 1878","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"River Thames","id":"x31213"},{"text":"Battersea","id":"x29513"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1517-1905"],"accessionNumberNum":"1517","accessionNumberPrefix":"E","accessionYear":1905,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-04-29","recordCreationDate":"2006-07-25","availableToBook":false}}