{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O126408"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O126408/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2026PM4902/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2026PM4902/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2026PM4902","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AE7997","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O126408/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O126408","accessionNumber":"27-1878","objectType":"Watercolour","titles":[{"title":"View of the Island of Rhodes","type":"popular title"}],"summaryDescription":"This landscape on Rhodes would have been visited by Dadd when on a sightseeing and sketching trip with his patron, Sir Thomas Philips. Shortly afterwards, the two travelled to Egypt, where Dadd is said to have contracted the severe sunstroke which precipitated his rapid fall into insanity. During his later years in the criminal lunatic asylum, he honed to an extreme degree the technique of painting seen here, where minute dabs of paint are hatched or stippled to describe gradiated colour and tone. Such an approach here captures this landscape as through a haze of intensified perception, generating a sense of vivid light and almost uncomfortable exposure.","physicalDescription":"View of the island of Rhodes.  Inscribed with title on the back, in the artist's hand.","artistMakerPerson":[{"name":{"text":"Dadd, Richard","id":"A4698"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"pencil","id":"x30347"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"painting (image-making)","id":"AAT54216"}],"materialsAndTechniques":"Watercolour","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2026PM4902","2006AE7997"],"imageResolution":"high","galleryLocations":[{"current":{"text":"SHLN","id":"THES49063"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"watercolour","id":""}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Europe","id":"x28842"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"Rhodes","id":"x29101"},"association":{"text":"made","id":"x28654"},"note":"probably"}],"productionDates":[{"date":{"text":"ca.1845","earliest":"1840-01-01","latest":"1849-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"245","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"372","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Vieuw [sic] of the Island of Rhodes, near the site of a castle of the Knights of St John, a part of which still remains in ruins.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Inscribed on the back in the artist's hand."}],"objectHistory":"Previously assumed to be made during Dadd's visit to Europe and the Middle East from July 1842 to May 1843. he later date of 1845 comes from Nick Tromans who is the leading Dadd scholar.  The two key books on Dadd (Nick Troman’s 2011 publication and Patricia Allderidge’s 1974 catalogue) date the work to Dadd’s early years at Bethlem.","historicalContext":"","briefDescription":"Watercolour, 'View of the island of Rhodes' by Richard Dadd, ca.1845","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Owens, Susan, <u>The Art of Drawing British Masters and Methods since 1600</u>, V&A Publishing, London, 2013, p. 96, fig. 73"},{"reference":{"text":"Hoozee, Robert (ed.), <i>British Vision. Observation and Imagination in British Art 1750-1950</i>, Brussels : Mercatorfonds ; Ghent : Museum voor Schone Kunsten, 2007","id":"AUTH354952"},"details":"140","free":""},{"reference":{"text":"","id":""},"details":"","free":"Alison Smith, ed. <u>Watercolour</u> London: Tate Publishing, 2010. ISBN: 978-1-85437-913-9."}],"production":"Previously assumed to be made during Dadd's visit to Europe and the Middle East from July 1842 to May 1843. he later date of 1845 comes from Nick Tromans who is the leading Dadd scholar.  The two key books on Dadd (Nick’s 2011 publication and Patricia Allderidge’s 1974 catalogue) date the work to Dadd’s early years at Bethlem.\r\n","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[{"text":"Rhodes","id":"x29101"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["27-1878"],"accessionNumberNum":"27","accessionNumberPrefix":"","accessionYear":1878,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-07-10","recordCreationDate":"2006-07-25","availableToBook":false}}