{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1261916"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1261916/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GM1419/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GM1419/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GM1419","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1261916/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1261916","accessionNumber":"FE.14-2013","objectType":"Watercolour","titles":[{"title":"Pine in Crummock Water","type":"assigned by artist"}],"summaryDescription":"The Silent Traveller books were Chiang’s most significant commercial and artistic achievement. He had been a magistrate in his native China and came to Britain with no directly transferable profession. He turned his hand to painting and writing as a means of survival, as well as of self expression. Chiang was educated and well versed in the practical and intellectual traditions of Chinese painting. He drew heavily on this knowledge when he painted British scenes and he often treated his British subjects in a recognisably Chinese manner. His Silent Traveller books are a combination of sensitively observed illustrations, eloquent prose and perceptive humour. They present a unique account of Britain. \r\nThe Lake District held a particular appeal for Chiang because of its historic association with Britain’s artistic and literary elite. Turner, Constable and Wordsworth all found inspiration in the Lakes. Chiang followed in their footsteps and created his ownunique interpretation of the landscape.\r\nChiang painted the famous landscapes of the Lake District using the Chinese materials and techniques familiar to him. Although he depicts the scenery in a Chinese manner, the British countryside is still recognisable.","physicalDescription":"","artistMakerPerson":[],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"},{"text":"paper","id":"x30308"}],"techniques":[],"materialsAndTechniques":"ink on paper","categories":[],"styles":[],"collectionCode":{"text":"EAS","id":"THES48596"},"images":["2013GM1419"],"imageResolution":"high","galleryLocations":[{"current":{"text":"009","id":"THES393960"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"watercolour","id":"x33202"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Great Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1937","earliest":"1937-01-01","latest":"1937-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"51.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"41","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This object was acquired by the V&A Museum subsequently to its loan to the display  \" The Silent Traveller: Chiang Yee In Britain 1933 – 1955\" in the Tsui Gallery of Chinese Art ( 23 April – 9 November 2012). The display explored the creative endeavours of the Chinese artist and writer Chiang Yee (1903 – 1977) during his time in Britain between 1933 and 1955. \r\n","historicalContext":"","briefDescription":"'Pine in Crummock Water', Chiang Yee 蔣彝 (1903-1977), ink on paper, Great Britain, 1937","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Chiang painted the famous landscapes of the Lake District using the Chinese materials and techniques familiar to him. Although he depicts the scenery in a Chinese manner, the British countryside is still recognisable.","date":{"text":"29/04/13","earliest":"2013-04-29","latest":"2013-04-29"}}],"partNumbers":["FE.14-2013"],"accessionNumberNum":"14","accessionNumberPrefix":"FE","accessionYear":2013,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-05-23","recordCreationDate":"2013-03-26","availableToBook":true}}