{"meta":{"version":"2.0","images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2014GY1621/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2014GY1621/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2014GY1621","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O1260732","accessionNumber":"E.307-2013","objectType":"Photograph","titles":[{"title":"Untitled","type":"assigned by artist"}],"summaryDescription":"Maxine Walker’s photographs raise questions about the nature of identity. In this untitled series, Walker challenges racial identity stereotypes as she photographs herself in a variety of guises. Playing on the format of photo-booth photography, Walker’s changing hair and skin colour across the series appear as instant transformations rather than fixed identities. The photographs engage with the politics of black female identity, especially hair. \r\n\r\nThis series was first exhibited in 1995 as part of the ‘Self-Evident’ exhibition of black photography at the IKON gallery in Birmingham, which also featured a series by photographer Ingrid Pollard. Both series were acquired by the V&A as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives. \r\n","physicalDescription":"A framed colour photograph of a woman with long black hair and a fringe that appears to be a wig. The woman wears an unzipped black jacket, a black choker and gold dangling earrings. She is holding a length of hair to the right of the frame and looks directly outward.","artistMakerPerson":[{"name":{"text":"Walker, Maxine","id":"AUTH329549"},"association":{"text":"photographer","id":"x43821"},"note":""},{"name":{"text":"Walker, Maxine","id":"AUTH329549"},"association":{"text":"photographer","id":"x43821"},"note":"Maxine Walker is a photographer and critic. Based in the West Midlands and active between 1985 and 1997, Walker is a significant part of the Black British Art movement, and instrumental in cofounding several creative platforms for black female photographers – such as Monocrone Women’s Photography Collective, Women + Photography and Polareyes. She participated on editorial boards, including Autograph, the Association of Black Photographers based in London. Her photographs emphasise the fictive nature of documentary convention, and raise questions about the nature of identity, challenging racial stereotypes."}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"C-type process","id":"THES258425"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"C-type print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"African Diaspora","id":"THES48873"},{"text":"Hair and hairstyles","id":"THES258945"},{"text":"Womenswear","id":"THES49044"},{"text":"Portraits","id":"THES48906"},{"text":"Caribbean","id":"THES286921"}],"styles":[{"text":"art photography","id":"AAT178594"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2014GY1621"],"imageResolution":"low","galleryLocations":[{"current":{"text":"315","id":"THES49535"},"free":"","case":"R","shelf":"28","box":"L"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"United Kingdom","id":"x29336"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1995","earliest":"1995-01-01","latest":"1995-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"E.304-2013","id":"O1260728"},"association":"Series"},{"object":{"text":"E.305-2013","id":"O1260729"},"association":"Series"},{"object":{"text":"E.306-2013","id":"O1260731"},"association":"Series"},{"object":{"text":"E.309-2013","id":"O1260735"},"association":"Series"},{"object":{"text":"E.310-2013","id":"O1260736"},"association":"Series"},{"object":{"text":"E.308-2013","id":"O1260734"},"association":"Series"},{"object":{"text":"E.303-2013","id":"O1260725"},"association":"Series"}],"creditLine":"Supported by the National Lottery through the Heritage Lottery Fund","dimensions":[{"dimension":"Width","value":"20","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"24","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"640","unit":"mm","qualifier":"","date":{"text":"2023","earliest":"2023-01-01","latest":"2023-12-31"},"part":"frame","note":""},{"dimension":"Width","value":"540","unit":"mm","qualifier":"","date":{"text":"2023","earliest":"2023-01-01","latest":"2023-12-31"},"part":"frame","note":""},{"dimension":"Depth","value":"27","unit":"mm","qualifier":"","date":{"text":"2023","earliest":"2023-01-01","latest":"2023-12-31"},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.","historicalContext":"","briefDescription":"Photograph by Maxine Walker from the series Untitled, C-type print, 1995","bibliographicReferences":[],"production":"One of 8 unique framed prints from the series Untitled.","productionType":{"text":"Unique","id":"THES48864"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Walker, Maxine","id":"AUTH329549"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"self-portraits","id":"AAT124534"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Text label for the exhibition, 'Staying Power: Photographs of Black British Experience, 1950s-1990s\r\n16 February – 24 May 2015\r\n\r\nMaxine Walker (born 1962)\r\nFrom the series Untitled\r\n1995\n\r\nWalker draws attention to racial stereotypes as she\r\nphotographs herself in a variety of guises. She presents\r\nher different skin tones and hairstyles as though they\r\nwere instantaneous transformations made in a photo\r\nbooth. The series invites consideration of the politics\r\nof such cosmetic choices.\n\r\nC-type prints\r\nMuseum nos. E.303 to 310-2013","date":{"text":"16/02/2015-24/05/2015","earliest":"2015-02-16","latest":"2015-05-24"}},{"text":"Making It Up: Photographic Fictions (2018)\r\nMarta Weiss\r\n\r\nWalker draws attention to racial stereotypes as she photographs herself in a variety of guises. She presents her different skin tones and hairstyles as though they were instantaneous transformations made in a photo booth. The series invites consideration of the politics of such cosmetic choices.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.307-2013"],"accessionNumberNum":"307","accessionNumberPrefix":"E","accessionYear":2013,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2024-03-18","recordCreationDate":"2013-02-07"}}