{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1256397"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1256397/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GH8977/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GH8977/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GH8977","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2013GH8978","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1256397/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1256397","accessionNumber":"E.1162-2012","objectType":"Ecclesiastical design","titles":[{"title":"Ecclesiastical design","type":"generic title"}],"summaryDescription":"","physicalDescription":"The main design is the mitre depicting a central stripe punctuated with four quatrefoils in red, blue and yellow. The left side of the design has a large, polygonal floral shape in red, blue, and yellow above which is a trefoil in blue and yellow. Above the mitre design is a rectangular band design for a stole. It is across the width of the paper enclosing quatrefoils within a yellow border, the leftmost quatrefoil of which is in blue, yellow and red.  Beneath this stole design is a solitary quatrefoil ornament for the back of a bishop's gloves.","artistMakerPerson":[{"name":{"text":"A.W.N. Pugin","id":"A8761"},"association":{"text":"designer","id":"x36960"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"ink","id":"AAT15012"},{"text":"watercolour","id":"x33202"},{"text":"laid paper","id":"AAT14184"}],"techniques":[{"text":"drawing","id":"x32498"},{"text":"painting","id":"x30598"}],"materialsAndTechniques":"Pen and ink and watercolour on laid paper","categories":[{"text":"Religion","id":"THES48900"},{"text":"Christianity","id":"THES48978"},{"text":"Designs","id":"THES48968"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2013GH8977","2013GH8978"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC","id":"THES49171"},"free":"","case":"MB2A","shelf":"DR54","box":"CONS"}],"partTypes":[[{"text":"design","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"19th century - 20th century","earliest":"1800-01-01","latest":"1999-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Given by the Community of St. John Baptist","dimensions":[{"dimension":"Height","value":"","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"56.5","note":""},{"dimension":"Width","value":"43.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"'Miter [sic] for Right Revd Weldall [crossed out] Brown [written above]  real size / back and front the same' / the jewells. at x will be sewed on over the velvet and ground'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"in pen and ink in Pugin's handwriting beneath mitre design."},{"content":"'take care of this draing [sic]'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"take care of this drawing","transliteration":"","type":"","note":"In pencil in Pugin's handwriting beneath mitre design."},{"content":"'+ AWPugin / 1840'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Pugin's monogram in pene and ink to the bottom right of design."},{"content":"'Miter [sic] No 3'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"In pen and ink in Pugin's handwriting at bottom left side of paper"},{"content":"'This band may be of plain gold lace / that was made with a narrow stripe of red / the stripes cut off it will still be plety [sic] wide enough'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"the stripes cut off it will still be plenty wide enough","type":"","note":"in pen and ink in Pugin's handwriting in the mitre design on the right side "},{"content":"'silver ground / silver ground / gold ground / gold ground'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"in pen and ink in Pugin's handwriting in the design on the left side"},{"content":"'apparel for neck' ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"in pen and ink in Pugin's handwriting under the rectangular band design at the top of the paper"},{"content":"'ornament to be embroidered  / on the back of gloves .'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"in pen and ink in Pugin's handwriting beside the solitary quatrefoil ornament to teh right of the page"},{"content":"'50 inch Gold 1 <sup>1/2</sup> inch Wire Lace / 56 Inch Silver 4 <sup>5/8</sup> inch Lace' ","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"in pencil not in Pugin's handwriting at bottom left"}],"objectHistory":"The mitre was designed in 1840 for Bishop George Hilary Brown who was consecrated to the Episcopate of Liverpool in that year. 'Pugin was reported in <i>Builder,</i>III (1845), to have designed a Cathedral for Liverpool, but the actual result was the modest chapel at Bishop Eton, which was built for Bishop George Brown, Vicar Apostolic of the Lancashire District between 1840 and 1850 (reference Dr. R.O'Donell)' Alexandra Wedgwood, <i>A.W.N. Pugin and the Pugin Family Catalogues of Architectural Drawings in the V&amp;A</i>, (V&amp;A, 1985), pp.60 &amp; 93.\n\nThe design was in the embroidery workshops of the Community of St John the Baptist and was given by the sisters to the V&amp;A.  ","historicalContext":"The Sisters of the Community of St John the Baptist also known as 'the Clewer Sisters', because they were originally based at Clewer near Windsor, used the design to embroider the mitre. The design is pricked and pounced with pink and black pounce for transfer of the design to the textile of the mitre prior to embroidery. ","briefDescription":"Cox and Son; Ecclesiastical design","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":""}],"production":"","productionType":{"text":"Design","id":"THES48872"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"Bishop George Hilary Brown","id":"AUTH321868"}],"contentOrganisations":[],"associatedOrganisations":[{"text":"Community of St John the Baptist","id":"AUTH321273"}],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1162-2012"],"accessionNumberNum":"1162","accessionNumberPrefix":"E","accessionYear":2012,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-10","recordCreationDate":"2012-10-17","availableToBook":false}}