{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1254232"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1254232/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2019LX8203/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2019LX8203/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2019LX8203","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1254232/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1254232","accessionNumber":"E.1129-2012","objectType":"Photograph","titles":[{"title":"The Break","type":"assigned by artist"},{"title":"Upekkha","type":"series title"}],"summaryDescription":"","physicalDescription":"Photograph depicting two Eygptian soldiers standing at rest, dressed in grey and red uniforms. The setting is a field of flowers, with snow-capped mountain scenary in the background.","artistMakerPerson":[{"name":{"text":"Nermine Hammam","id":"AUTH320542"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"archival inkjet printing","id":"THES252788"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"archival inkjet print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Military","id":"THES250701"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2019LX8203"],"imageResolution":"high","galleryLocations":[{"current":{"text":"B","id":"THES304668"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Cairo","id":"x28776"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"01/2011","earliest":"2011-01-01","latest":"2011-01-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"E.1130-2012","id":"O1256350"},"association":"Series"},{"object":{"text":"E.1131-2012","id":"O1256351"},"association":"Series"}],"creditLine":"Art Fund Collection of Middle Eastern Photography at the V&A and the British Museum","dimensions":[{"dimension":"Height","value":"60","unit":"cm","qualifier":"","date":{"text":"23/10/2012","earliest":"2012-10-23","latest":"2012-10-23"},"part":"image","note":""},{"dimension":"Width","value":"60","unit":"cm","qualifier":"","date":{"text":"23/10/2012","earliest":"2012-10-23","latest":"2012-10-23"},"part":"image","note":""},{"dimension":"Height","value":"72","unit":"cm","qualifier":"","date":{"text":"23/10/2012","earliest":"2012-10-23","latest":"2012-10-23"},"part":"paper","note":""},{"dimension":"Width","value":"72","unit":"cm","qualifier":"","date":{"text":"23/10/2012","earliest":"2012-10-23","latest":"2012-10-23"},"part":"paper","note":""},{"dimension":"Height","value":"840","unit":"mm","qualifier":"","date":{"text":"2019","earliest":"2019-01-01","latest":"2019-12-31"},"part":"framed","note":""},{"dimension":"Width","value":"830","unit":"mm","qualifier":"","date":{"text":"2019","earliest":"2019-01-01","latest":"2019-12-31"},"part":"framed","note":""},{"dimension":"Depth","value":"40","unit":"mm","qualifier":"","date":{"text":"2019","earliest":"2019-01-01","latest":"2019-12-31"},"part":"framed","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph, 'The Break' from the series 'Upekkha', archival inkjet print, by Nermine Hammam, Egypt, 2011 ","bibliographicReferences":[{"reference":{"text":"Light from the Middle East: New Photography","id":"AUTH321423"},"details":"","free":""}],"production":"These photographs were made in response to the events of January 2011 which resulted in the removal of Egyptian president Hosni Mubarak. Hammam's series entitled 'Upekkha' is based on portraits made in Tahrir Square, Cairo.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"When the army was called in to respond to the protests in Cairo’s Tahrir Square in January 2011, Hammam was struck by the vulnerability of the soldiers. They seemed to want to be anywhere but there. In her photographs she transports these soldiers into vibrant fantasy settings. The images are reminiscent of postcards. They liken the events of Tahrir Square to a tourist attraction that drew the world’s attention, but was not fully understood. \r\n\n(Marta Weiss)\r\n","date":{"text":"September 2012","earliest":"2012-09-01","latest":"2012-09-30"}}],"partNumbers":["E.1129-2012"],"accessionNumberNum":"1129","accessionNumberPrefix":"E","accessionYear":2012,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-01-01","recordCreationDate":"2012-09-01","availableToBook":true}}