{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O125150"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O125150/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BD2353/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BD2353/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BD2353","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2017KC8009","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O125150/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O125150","accessionNumber":"150-1888","objectType":"Oil","titles":[{"title":"Stoke-by-Nayland","type":"popular title"}],"summaryDescription":"","physicalDescription":"Painting of a woman, carrying load on her head, in a landscape.","artistMakerPerson":[{"name":{"text":"Constable, John (RA)","id":"A8267"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"oil paint","id":"AAT15050"},{"text":"paper","id":"x30308"}],"techniques":[{"text":"oil painting","id":"AAT178684"}],"materialsAndTechniques":"Oil on paper","categories":[{"text":"Paintings","id":"THES48917"}],"styles":[{"text":"British School","id":"x30967"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BD2353","2017KC8009"],"imageResolution":"high","galleryLocations":[{"current":{"text":"WS","id":"THES49603"},"free":"","case":"R","shelf":"49","box":"L"}],"partTypes":[[{"text":"oil paintings","id":"AAT33799"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"ca. 1830","earliest":"1825-01-01","latest":"1834-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Isabel Constable","dimensions":[{"dimension":"Height","value":"34.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"24.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Height","value":"24.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"approx.","note":""},{"dimension":"Width","value":"33","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"approx.","note":""},{"dimension":"Height","value":"45.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":""},{"dimension":"Width","value":"50","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Given by Isabel Constable, 1888","historicalContext":"'In 1830 Constable was a member of the Hanging Committee of the Royal Academy (see the note to No. 321 [FA 38] above). He exhibited views of Helmingham Park and Hampstead Heath and another landscape at the Royal Academy. The first number of <i>English Landscape Scenery was published in June or July</i>.' \r\n                                 \r\n[G Reynolds, 1973, p.198]","briefDescription":"Oil sketch, 'Stoke-by-Nayland' by Constable.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<i>Catalogue of the Constable Collection</i>, Graham Reynolds, Victoria and Albert Museum, London: HMSO, 1973, pp. 198-200"},{"reference":{"text":"Concannon, Amy (editor) Tate Gallery (host institution) <u>Turner and Constable : Rivals and Originals</u> London : Tate Publishing, 2025","id":"AUTH413599"},"details":"p. 48, fig. 26","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Stoke-by-Nayland","id":"x39203"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"<i>Stoke-by-Nayland,</i> <i>Suffolk,</i>\r\nabout 1829–30\r\nJohn Constable\r\nOil on paper\r\nConstable sketched the 15th-century church of St Mary at Stoke-by-Nayland many times throughout his career. Its tower dominated the skyline of Dedham Vale.Given the loose drawing and generalised appearance of the trees, he probably painted this sketch in his studio for Lucas to work from. Constable introduced the woman carrying a bundle of sticks from an earlier drawing, giving a sense of scale to the surrounding landscape.\r\n\r\nFrom J<i>ohn Constable and David Lucas: A Unison of Feeling </i>at V&A South Kensington from 15 November 2025 to 14 June 2026\r\n","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["150-1888"],"accessionNumberNum":"150","accessionNumberPrefix":"","accessionYear":1888,"otherNumbers":[{"type":{"text":"Reynolds catalogue no.","id":"THES50402"},"number":"330, plate 240"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-08-04","recordCreationDate":"2006-06-13","availableToBook":false}}