{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1241537"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1241537/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GN4152/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GN4152/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GN4152","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1241537/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1241537","accessionNumber":"IS.42-2011","objectType":"Kalighat painting","titles":[{"title":"Lakshmi and Saraswati","type":"assigned by artist"}],"summaryDescription":"Lakshmi and Saraswati, the Hindu godesses of wealth, beauty and learning, stand in mirroring poses, echoing that of 19th century depictions of Krishna and his brother Balarama.  Some of the pigments used consist of juice from the betel nut for red, and white clay known as Kusum mati.       ","physicalDescription":"An almost square painting, with the two figures of Lakshmi and Saraswati standing next to each other with their bodies angled away from each other at the waist.  Lakshmi stands on the left and Saraswati on the right when facing the painting.  The details of jewellery and other personal adornments are painted in white paint, made from Kusum mati - a type of white clay.     ","artistMakerPerson":[{"name":{"text":"Ranjit Chitrakar","id":"AUTH316141"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"handmade paper","id":"x37630"},{"text":"plant pigment","id":"AAT13123"}],"techniques":[{"text":"hand painted","id":"x39976"}],"materialsAndTechniques":"Organic pigments on handmade paper ","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Hinduism","id":"THES48941"},{"text":"Folk Art","id":"THES49003"}],"styles":[],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2013GN4152"],"imageResolution":"high","galleryLocations":[{"current":{"text":"007","id":"THES406609"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Painting","id":"AAT33618"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"West Bengal","id":"x29846"},"association":{"text":"","id":""},"note":""},{"place":{"text":"Pingla","id":"THES249882"},"association":{"text":"","id":""},"note":"Naya Village. The patua village at Naya is home to over 300 working artist families, who live and work as a tightly knit community.  They primarily work on longer scroll paintings, but some artists also produce Kalighat paintings.  \r\n"}],"productionDates":[{"date":{"text":"1995 - 1998","earliest":"1995-01-01","latest":"1998-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"445","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"355","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Kalighat painting 'Lakshmi and Saraswati', by Ranjit Chitrakar, Medinipur, West Bengal, 1995 - 1998.  ","bibliographicReferences":[{"reference":{"text":"Sinha, Suhashini, and Panda, C, eds. <u>Kalighat Paintings </u><u>from the collection of the Victoria and Albert Museum, London and Victoria Memorial Hall, Kolkata</u>. London: Victoria and Albert Museum, 2012. ISBN 1851776656.","id":"AUTH316144"},"details":"p.100 cat. no 87","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The poses of the two goddesses in this Kalighat painting echo those of Krishna and Balarama in the V&A's collection.  Some of the pigments used consist of juice from the betel nut for red, and white clay known as Kusum mati.  ","date":{"text":"October 2011 - May 2012","earliest":"2011-10-01","latest":"2012-05-31"}}],"partNumbers":["IS.42-2011"],"accessionNumberNum":"42","accessionNumberPrefix":"IS","accessionYear":2011,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2011-11-11","availableToBook":true}}