{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1241536"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1241536/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GN4133/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GN4133/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GN4133","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1241536/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1241536","accessionNumber":"IS.41-2011","objectType":"Kalighat painting","titles":[{"title":"'The false Vaishnav'","type":"assigned by artist"}],"summaryDescription":"This painting is a version of the theme of the confidence trickster masquerading as a Vaishnav holy man and begging for alms.  If their trick was discovered, the men would often be beaten and chased out of the village by indignant villagers.  The bright green of this painting was achieved by crushing leaves from the Seem (flat bean) plant.  Each pigment is mixed immediately after collection with juice from the bel fruit to create a binding medium.  ","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Ranjit Chitrakar","id":"AUTH316141"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x37630"},{"text":"pigment","id":"AAT13123"}],"techniques":[{"text":"hand painted","id":"x39976"}],"materialsAndTechniques":"Organic pigments on handmade paper.","categories":[{"text":"Paintings","id":"THES48917"},{"text":"Folk Art","id":"THES49003"}],"styles":[],"collectionCode":{"text":"SSEA","id":"THES48598"},"images":["2013GN4133"],"imageResolution":"high","galleryLocations":[{"current":{"text":"007","id":"THES406609"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Painting","id":"AAT33618"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"West Bengal","id":"x29846"},"association":{"text":"","id":""},"note":""},{"place":{"text":"Pingla","id":"THES249882"},"association":{"text":"","id":""},"note":"Naya Village. The patua village at Naya is home to over 300 working artist families, who live and work as a tightly knit community.  They primarily work on longer scroll paintings, but some artists also produce Kalighat paintings.  \r\n"}],"productionDates":[{"date":{"text":"1995 - 1998","earliest":"1995-01-01","latest":"1998-12-31"},"association":{"text":"painted","id":"x30138"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"480","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"380","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Kalighat painting 'The false vaishnav', by Ranjit Chitrakar, Medinipur, West Bengal, 1995 - 1998. \n","bibliographicReferences":[{"reference":{"text":"Sinha, Suhashini, and Panda, C, eds. <u>Kalighat Paintings </u><u>from the collection of the Victoria and Albert Museum, London and Victoria Memorial Hall, Kolkata</u>. London: Victoria and Albert Museum, 2012. ISBN 1851776656.","id":"AUTH316144"},"details":"p.101 cat. no 88","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The bright green of this painting was achieved by crushing leaves from the Seem (flat bean) plant.  Each pigment is mixed immediately after collection with juice from the bel fruit to create a binding medium.  This painting is a version of the theme of the confidence trickster masquerading as a Vaishnav holy man and begging for alms.  If their trick was discovered, the men would often be beaten and chased out of the village by indignant villagers.","date":{"text":"October 2011 - May 2012","earliest":"2011-10-01","latest":"2012-05-31"}}],"partNumbers":["IS.41-2011"],"accessionNumberNum":"41","accessionNumberPrefix":"IS","accessionYear":2011,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-08","recordCreationDate":"2011-11-11","availableToBook":true}}