{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O123292"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O123292/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BH4763/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BH4763/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BH4763","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2018KX4436","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O123292","accessionNumber":"CIRC.320-1958","objectType":"Linocut","titles":[{"title":"Brighton Pier","type":"assigned by artist"}],"summaryDescription":"Edward Bawden studied at the Royal College of Art, where he and his close friend and contemporary Eric Ravilious were both taught by Paul Nash, who encouraged their interest in English landscape and topography.  Following Ravilious's early death in 1942, Bawden continued to explore these themes, becoming increasingly interested in recording aspects of British vernacular art and architecture. His big, bold and decorative colour prints made from lino-blocks did much to popularise a medium that had not previously  enjoyed a high artistic status.","physicalDescription":"Colour linocut of Brighton Pier in the centre of the image, with domes of the Royal Pavillion on the left ","artistMakerPerson":[{"name":{"text":"Bawden, Edward","id":"A3108"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"linocut","id":"AAT60720"}],"materialsAndTechniques":"Colour lino-cut on paper","categories":[{"text":"Entertainment & Leisure","id":"THES48959"},{"text":"Prints","id":"THES48903"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BH4763","2018KX4436"],"imageResolution":"low","galleryLocations":[{"current":{"text":"WS","id":"THES49603"},"free":"","case":"R","shelf":"74","box":"L"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1958","earliest":"1958-01-01","latest":"1958-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"39.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"28.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"","value":"","unit":"","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Edward Bawden, 1958","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Signature; date"}],"objectHistory":"","historicalContext":"","briefDescription":"'Brighton Pier', Edward Bawden, linocut. British, 1958. Signed and dated in pencil.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from Departmental Circulation Register 1958"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Brighton","id":"x31136"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"pier","id":"AAT120779"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Utilising the white of the paper as a colour in his large-scale composition, Bawden then cut separate blocks for each other colour. He is said to have printed it on his studio floor, using his feet instead of a printing press to apply pressure and transfer the design from the cut linoblocks onto the paper. He foreshortened Brighton Pier and framed its complex decoration with the city’s Pavilion and Regency townhouses.","date":{"text":"August 2019","earliest":"2019-08-01","latest":"2019-08-31"}}],"partNumbers":["CIRC.320-1958"],"accessionNumberNum":"320","accessionNumberPrefix":"CIRC","accessionYear":1958,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2006-04-24","availableToBook":false}}