{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O122896"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O122896/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2008BV3337/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2008BV3337/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2008BV3337","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O122896/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O122896","accessionNumber":"E.1234-2000","objectType":"Photograph","titles":[{"title":"Portrait of Miss Elizabeth Rigby","type":"generic title"}],"summaryDescription":"","physicalDescription":"Portrait of Miss Elizabeth Rigby looking down and sitting on a chair with her left elbow on books resting on a table.","artistMakerPerson":[{"name":{"text":"Adamson, Robert","id":"A11654"},"association":{"text":"photographer","id":"x43821"},"note":""},{"name":{"text":"Hill, David Octavius","id":"N4882"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[{"name":{"text":"Hill & Adamson","id":"AUTH382430"},"association":{"text":"photographers","id":"AAT25687"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"salted paper","id":"AAT127389"}],"techniques":[{"text":"Salted paper processes","id":"AAT53495"},{"text":"photography","id":"AAT54225"},{"text":"calotype","id":"AAT53484"}],"materialsAndTechniques":"Salt paper print from calotype negative","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Portraits","id":"THES48906"},{"text":"Scotland","id":"THES262877"}],"styles":[{"text":"mid 19th century","id":"x41031"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2008BV3337"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"761","box":"A"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Scotland","id":"x29130"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1843-1847","earliest":"1843-01-01","latest":"1847-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"Transferred from the British Museum","dimensions":[{"dimension":"Height","value":"21","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"15.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"342","unit":"mm","qualifier":"","date":{"text":"2021","earliest":"2021-01-01","latest":"2021-12-31"},"part":"sheet","note":""},{"dimension":"Width","value":"271","unit":"mm","qualifier":"","date":{"text":"2021","earliest":"2021-01-01","latest":"2021-12-31"},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This photograph was acquired by the British Museum in 1857 than transferred in 2000 as a plan to rationalise the collection and house objects at the V&A where greater expertise and national collections of particular media reside.","historicalContext":"The famous partnership and collaboration between the artist David Octavius Hill and the photographer Robert Adamson came into being originally in order to produce photographic portraits to assist Hill as a painter. The team produced a wide range of superb, valuable work and they were the first consistently  and successfully employ calotype process in Great Britain.\r\n\r\n1843 Hill was introduced to Adamson and they began to collaborate on the production of calotype portraits as reference images for the painting 'The Signing of the Deed of Demission' which represents 474 dignitaries. Essentially, Hill posed and arranged the individual sitters or groups while Adamson attended to the technical aspects of the exposure, processing, and printing.\r\n\r\nSome of their most powerful images, however, were made in Scottish seashore villages and depict fishermen and women. They also photographed  the architecture and monument of Scotland  and made calotypes of their friends posed in medieval armour or costumes.","briefDescription":"Photograph by David Octavius Hill and Robert Adamson, 'Portrait of Miss Elizabeth Rigby' (later Lady Esterlake), salted paper print from calotype negative, 1843-1847","bibliographicReferences":[{"reference":{"text":"Stevenson, Sara. 'David Octavius Hill and Robert Adamson: Catalogue of their Calotypes Taken Between 1843 and 1847 in the Collection of the Scottish National Portrait Gallery', (Edinburgh: National Galleries of Scotland, 1981). ISBN 0903148374","id":"AUTH361378"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Rigby, Elizabeth (Lady Eastlake)","id":"N4945"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.1234-2000"],"accessionNumberNum":"1234","accessionNumberPrefix":"E","accessionYear":2000,"otherNumbers":[{"type":{"text":"National Galleries of Scotland, Hill & Adamson 1981 Catalogue, page and classification","id":"THES293330"},"number":"pg. 135 (m)"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-05","recordCreationDate":"2006-04-10","availableToBook":false}}