{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O122774"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O122774/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2007BL9778/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2007BL9778/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2007BL9778","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O122774/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O122774","accessionNumber":"CIRC.708-1969","objectType":"Goldweight","titles":[],"summaryDescription":"Natural gold resources generated wealth and influence for the Asante kingdom in Ghana, West Africa. From around 1600 small weights (<i>mbrammoo</i>) in brass and bronze were used to weigh gold dust, which was used for all commercial transactions. Anyone involved in trade and commerce owned, or had access to, a set of weights and scales.\r\n\r\nThis brass weight features a hornbill bird - a favourite subject for Asante goldsmiths - standing on the top of a seven-stepped pyramid. The hornbill is a symbol of both male and female fertility. An Asante proverb uses the hornbill as the embodiment of peaceful, thriving communities: ‘When a bird has a long bill it uses it for eating on its own side of the river and not for stretching across the water’.\r\n\r\nGeometric shapes and designs predominated amongst the early weights but more naturalistic representations of court regalia began to appear in the 17th century. By the 18th and 19th centuries the weights reflected a wide range of human and animal figures, often in scenarios designed to represent popular Asante proverbs.","physicalDescription":"A cast brass goldweight in the form of a hornbill bird standing on the top of a seven-stepped pyramid.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"brass","id":"AAT10946"}],"techniques":[{"text":"lost-wax process","id":"AAT53113"},{"text":"casting","id":"AAT53104"}],"materialsAndTechniques":"Cast brass","categories":[{"text":"Metalwork","id":"THES48920"},{"text":"Black History","id":"THES48989"},{"text":"Africa","id":"THES49019"}],"styles":[{"text":"Asante","id":"AAT16004"}],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2007BL9778"],"imageResolution":"high","galleryLocations":[{"current":{"text":"010","id":"THES407981"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Goldweight","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Ghana","id":"x30041"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"late 19th century","earliest":"1850-01-01","latest":"1900-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"3.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"2.6","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Purchased from Gallery 43, 28 Davies Street, London, W1.\n\nHistorical significance: Goldweights were not simply functional items. They symbolised the meeting of communities for trade. Many carried messages of peace and goodwill. Geometric shapes and entwined plants reminiscent of Islamic art, probably influenced by long-standing links with Muslim North Africa, predominated among the early weights.","historicalContext":"This brass weight features a hornbill bird standing on a seven-stepped pyramid. The hornbill is a symbol of both male and female fertility. An Asante proverb uses the hornbill as the embodiment of peaceful, thriving communities: 'When a bird has a long bill it uses it for eating on its own side of the river and not for stretching across the water'. \r\n\r\nThe trade in gold provided opportunities for artistic expression. Antedating the establishment of the Asante kingdom by about two centuries, the gold trade relied on a standardized weight system derived from North African, Dutch, and Portuguese precedents. To measure the gold dust, Akan merchants used diminutive brass weights called abramo. The form these weights took changed over time: the earliest weights were geometric, reflecting the influence of North African Islam, but by the seventeenth century naturalistic representations of court regalia were more prevalent. This shift may reflect the Asante kingdom's growing regulatory role in the gold trade. References to Akan proverbs in the form of complex images of animals and people appeared somewhat later, in the eighteenth and nineteenth centuries.","briefDescription":"Asante goldweight in form of hornbill bird on pyramid, late 19th century, Ghana.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Patterson, Angus, \"Asante Goldweights\", <u>The Journal of the Antique Metalware Society</u>, Vol. 15, June 2007, p. 39"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"hornbills","id":"x39547"},{"text":"pyramid","id":"AAT163119"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Goldweight (<i>abramoo</i>)\r\nAsante people, Ghana\r\n1900-20\r\n\r\nNatural gold resources generated wealth and influence for the Asante. From around 1600 small weights in brass and bronze were used to weigh the gold dust that was used for all commercial transactions. Anyone involved in trade and commerce owned, or had access to, a set of weights and scales. \r\n\r\nBrass\r\n\r\nMuseum no. Circ.708-1969\r\nBought from Gallery 43, London, in 1969","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["CIRC.708-1969"],"accessionNumberNum":"708","accessionNumberPrefix":"CIRC","accessionYear":1969,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2026-01-01","recordCreationDate":"2006-04-05","availableToBook":true}}