{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1225387"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1225387/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GC9805/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GC9805/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GC9805","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1225387/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1225387","accessionNumber":"E.266-2011","objectType":"Photograph","titles":[{"title":"Westbourne Park Tube Station","type":"generic title"}],"summaryDescription":"Charlie Phillips moved to London from Jamaica in 1956 and began to document life in his local community, taking photographs with a Kodak Brownie camera he had been given by a black American serviceman. Phillips lived in Notting Hill, an area of London with a large British Caribbean community following the mass migration from the Caribbean in the immediate post-war period. His photographs form a visual record of this part of London during the 1960s, especially the growing black population and its impact on local culture. \r\n\r\nThe V&A acquired ten photographs by Charlie Phillips as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.","physicalDescription":"A black and white photograph of a black man standing in front of a London Underground sign for Westbourne Park tube station. He stands in the centre of the image with his hands on his hips, wearing sunglasses and a blazer. On the wall behind him, as well as the large London Underground sign, there are two posters; the first has the title ‘ROUNDABOUT’ and the second ‘THE LONDON OF CHARLES DICKENS’.","artistMakerPerson":[{"name":{"text":"Charlie Phillips","id":"AUTH317119"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"gelatin silver process","id":"AAT139114"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Gelatin silver print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"African Diaspora","id":"THES48873"},{"text":"Portraits","id":"THES48906"},{"text":"Transport","id":"THES48881"},{"text":"Caribbean","id":"THES286921"}],"styles":[{"text":"documentary","id":"x37881"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2013GC9805"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"SP","shelf":"4","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1967","earliest":"1967-01-01","latest":"1967-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"E.259-2011","id":"O1225394"},"association":""},{"object":{"text":"E.260-2011","id":"O1225393"},"association":""},{"object":{"text":"E.261-2011","id":"O1225392"},"association":""},{"object":{"text":"E.262-2011","id":"O1225391"},"association":""},{"object":{"text":"E.263-2011","id":"O1225390"},"association":""},{"object":{"text":"E.264-2011","id":"O1225389"},"association":""},{"object":{"text":"E.265-2011","id":"O1225388"},"association":""},{"object":{"text":"E.267-2011","id":"O1225386"},"association":""},{"object":{"text":"E.268-2011","id":"O1225385"},"association":""}],"creditLine":"Supported by the National Lottery Heritage Fund. ","dimensions":[{"dimension":"Width","value":"302","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image size","note":""},{"dimension":"Height","value":"210","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image size","note":""},{"dimension":"Width","value":"403","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper size","note":""},{"dimension":"Height","value":"300","unit":"mm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper size","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"The V&A acquired this photograph as part of the Staying Power project. Staying Power is a five year partnership between the V&A and Black Cultural Archives. The project aims to explore black British experience from the 1950s to the 1990s through photographs acquired by the V&A and oral histories conducted by Black Cultural Archives.","historicalContext":"","briefDescription":"Photograph by Charlie Phillips, 'Westbourne Park Tube Station', gelatin silver print, London, 1967","bibliographicReferences":[{"reference":{"text":"","id":"AUTH317064"},"details":"","free":"Phillips, Charlie and Mike Phillips. Notting Hill in the Sixties. (London: Lawrence & Wishart Ltd, 1991, ISBN 0 85315 751 0) "}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[{"text":"London Underground Ltd","id":"A12941"}],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"transport","id":"AAT232817"},{"text":"underground railway stations","id":"AAT7780"},{"text":"sunglasses","id":"AAT236453"},{"text":"men","id":"AAT25928"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Text label for the exhibition, 'Staying Power: Photographs of Black British Experience, 1950s-1990s\n16 February – 24 May 2015\n\nCharlie Phillips (born 1944)\r\nPortobello Road, 1974\r\nWestbourne Park Tube Station, 1967\r\nNotting Hill Couple, 1967\r\nThe Pisshouse Pub, 1969\r\nBig Maybelle, Cue Club, 1966\r\nCue Club Regulars, 1966\n\r\nPhillips moved from Jamaica to Notting Hill in 1956.\r\nThis area of London had a large Caribbean community\r\nfollowing mass migration after the Second World War.\r\nPhillips documented local life using a Kodak Brownie\r\ncamera that he had been given by an African-American\r\nserviceman. His photographs provide a visual record of the\r\ninfluence of the growing black population on this part of\r\nLondon during the 1960s and ’70s.\n\r\nGelatin silver prints\r\nMuseum nos. E.260, 261, 264, 266 to 268-2011","date":{"text":"16/02/2015-24/05/2015","earliest":"2015-02-16","latest":"2015-05-24"}}],"partNumbers":["E.266-2011"],"accessionNumberNum":"266","accessionNumberPrefix":"E","accessionYear":2011,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-06-16","recordCreationDate":"2011-07-12","availableToBook":false}}