{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O122189"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O122189/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2015HK1098/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2015HK1098/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2015HK1098","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BH8138","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O122189/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O122189","accessionNumber":"E.2336-1953","objectType":"Greeting card","titles":[],"summaryDescription":"This German greetings card from about 1850–75 shows female figures dressed as cornflowers, with a pair of insects serenading them. A complete and now almost forgotten ‘language of flowers’ was created in the nineteenth century. Every plant had a distinct character and sentimental meaning. Some flowers can have a symbolic meaning, like the lily and the rose which are were both associated with the Virgin Mary. Cornflowers represented refinement and delicacy.","physicalDescription":"Colour-printed greetings card, showing a flower in human form, with embossed paper lace edging.","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"lithographic ink","id":"AAT187750"},{"text":"card","id":"x30344"},{"text":"paper lace","id":"THES251254"}],"techniques":[{"text":"colour lithography","id":"AAT190525"}],"materialsAndTechniques":"Colour lithograph and paper lace","categories":[{"text":"Greeting cards","id":"THES48944"},{"text":"Anthropomorphism","id":"THES252998"},{"text":"Ephemera","id":"THES252985"},{"text":"Prints","id":"THES48903"},{"text":"Lace","id":"THES48926"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2015HK1098","2006BH8138"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLC (VA)","id":"THES49171"},"free":"","case":"GG","shelf":"68","box":"G"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Germany","id":"x28873"},"association":{"text":"published","id":"x30682"},"note":""}],"productionDates":[{"date":{"text":"1860-1880","earliest":"1860-01-01","latest":"1880-12-31"},"association":{"text":"published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Guy Little","dimensions":[{"dimension":"Height","value":"11.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"highest point","note":""},{"dimension":"Width","value":"7.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"widest point","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Kornblumen","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Some flowers can have a symbolic meaning, like the lily and the rose which are both associated with the Virgin Mary. The nineteenth century created a complete and now almost forgotten 'language of flowers' in which every plant had a distinct character and sentimental meaning. Here the plants have actually become people.","historicalContext":"","briefDescription":"One of nine greeting cards with anthropomorphised flower designs, Germany, 1860-1880","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"flowers","id":"AAT132399"},{"text":"lace","id":"AAT132861"},{"text":"insects","id":"x30217"},{"text":"violin","id":"AAT42215"},{"text":"women","id":"AAT25943"},{"text":"cornflower","id":"x30498"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"NINE PRINTED CARDS\r\nGerman, about 1850-75\r\nColour-printed card with embossed paper lace\r\n\r\nSome flowers can have a symbolic meaning, like the lily and the rose which are both associated with the Virgin Mary. The nineteenth century created a complete and now almost forgotten 'language of flowers', in which every plant had a distinct character and sentimental meaning. Here, the plants have actually become people.\r\n\r\nE.2327, 2329-32, 2334, 2336, 2337, 2342 - 1953","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.2336-1953"],"accessionNumberNum":"2336","accessionNumberPrefix":"E","accessionYear":1953,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-10-07","recordCreationDate":"2006-03-20","availableToBook":false}}