{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O121716"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O121716/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2007BM1055/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2007BM1055/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2007BM1055","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2007BM1056","copyright":"©Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O121716/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O121716","accessionNumber":"M.57-1946","objectType":"Ring","titles":[],"summaryDescription":"Rings are the most commonly surviving medieval jewels. They were worn by both sexes, across all levels of society. Some portraits show wearers with multiple rings across all their fingers. Rings have been used as love gifts and to symbolise marriage since Roman times.  Gold hoops engraved inside or outside the hoop with a romantic motto were known as posy rings, from the French word 'poesie', or poem. Some posies were quite standardised and may have been suggested by the jeweller . Others must have been chosen by the loving donor. This ring is inscribed in French 'vous et nul aultre' (you and no other) and was probably given to a lover or as part of a courtship. ","physicalDescription":"Gold ring, the hoop engraved with sprigs and inscribed in black letter <i>Vous et nul autre</i>","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Gold","id":"AAT11021"}],"techniques":[{"text":"Engraving","id":"AAT53829"}],"materialsAndTechniques":"Engraved gold","categories":[{"text":"Jewellery","id":"THES48930"},{"text":"Metalwork","id":"THES48920"},{"text":"Europeana Fashion Project","id":"THES265804"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2007BM1055","2007BM1056"],"imageResolution":"high","galleryLocations":[{"current":{"text":"91 (VA)","id":"THES49703"},"free":"","case":"6","shelf":"B","box":"3"}],"partTypes":[[{"text":"Ring","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Europe","id":"x28842"},"association":{"text":"made","id":"x28654"},"note":"west"}],"productionDates":[{"date":{"text":"1400-50","earliest":"1400-01-01","latest":"1450-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Dame Joan Evans","dimensions":[{"dimension":"Depth","value":"0.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Diameter","value":"1.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"inscribed <i>Vous et nul autre</i>","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"'you and no other'","transliteration":"","type":"","note":"the hoop; in black letter"}],"objectHistory":"Formerly part of the collection of Dame Joan Evans (1893-1977), art historian and collector. Early on she collected gems and jewels which resulted in the 1921 book, <i>English Jewellery from the 5th Century BC to 1800</i>. Her scholarly interest was established in 1925 by the book <i>Life in Mediaeval France</i>. In 1931 she used her research in adornment to write <i>Pattern: a Study of Ornament in Western Europe from 1180 to 1900</i>. That same year she was named honorary librarian of the Courtauld Institute, London. Evans produced the second of her studies of French medieval life in 1936, <i>Monastic Life at Cluny, 930–1157</i>, followed by <i>Taste and Temperament</i> (1939), <i>Art in Mediaeval France</i> (1948), <i>English Art, 1307–1461(1949)</i>, <i>Cluniac Art of the Romanesque Perio</i>d (1950), and <i>Dress in Mediaeval France</i> (1952). These were interspersed by histories of more contemporary subjects, such as her biography of Chateaubriand in 1939, Madame de Sérilly in 1946, and Joseph Joubert, published in 1947. In 1943 she published a family memoir, <i>Time and Chance: the Story of Arthur Evans and his Forebears</i>. After a biography of John Ruskin in 1954, she co-edited with John Howard Whitehead, Ruskin's diaries in 1956. Evans was elected the first woman president of the Society of Antiquaries in 1959 (through 1964). She donated her gem and jewellery collection to the Victoria and Albert Museum beginning in 1960. She was a trustee of the British Museum (1963-67). In her personal life, she donated time and money to many charitable historic causes, nearly all of them anonymously. Her will left collections to the Ashmolean Museum, Oxford, and the Birmingham City Art Gallery.","historicalContext":"","briefDescription":"Gold ring, the hoop engraved with sprigs and inscribed in black letter <i>Vous et nul autre</i> ('You and no other'). West Europe, 1400-50.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"Evans, Joan Dame","id":"C4535"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"love","id":"AAT55165"}],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["M.57-1946"],"accessionNumberNum":"57","accessionNumberPrefix":"M","accessionYear":1946,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LR2238","2019LT1466","2019LU7117"],"recordModificationDate":"2025-04-08","recordCreationDate":"2006-03-06","availableToBook":false}}