{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O120546"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O120546/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2024NY7794/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2024NY7794/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2024NY7794","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AT6012","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O120546","accessionNumber":"LOAN:MAKOWER.14","objectType":"Bowl","titles":[{"title":"Bowl","type":"generic title"}],"summaryDescription":"Ian Ferguson’s work celebrates mokume-gane (wood grain metal), a four-hundred-year-old Japanese technique originally used to decorate sword fittings. The distinctive swirling patterns were created by fusing twenty-one layers of mixed metals to form a thick wad or billet. Gouges were made into the billet’s surface to reveal the colourful metal layers beneath. The billet was then rolled out into a sheet, and Ferguson used hammers and stakes to raise the sheet into the bowls. ","physicalDescription":"Bowl, hemispherical of copper and shibuishi (Mokumé Gane), the narrow rim of silver.","artistMakerPerson":[{"name":{"text":"Ferguson, Ian","id":"A17030"},"association":{"text":"designer and maker","id":"x34662"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"copper","id":"AAT11020"},{"text":"shibuishi","id":"x39442"},{"text":"silver","id":"AAT11029"}],"techniques":[{"text":"Mokume Gane","id":"THES277555"}],"materialsAndTechniques":"Copper and shibuishi (Mokumé Gane), silver details","categories":[{"text":"Containers","id":"THES48972"},{"text":"Metalwork","id":"THES48920"}],"styles":[],"collectionCode":{"text":"MET","id":"THES48599"},"images":["2024NY7794","2006AT6012"],"imageResolution":"low","galleryLocations":[{"current":{"text":"68","id":"THES49730"},"free":"","case":"5","shelf":"2","box":""}],"partTypes":[[{"text":"Bowl","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"designed and made","id":"x39722"},"note":""}],"productionDates":[{"date":{"text":"1995","earliest":"1995-01-01","latest":"1995-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Lent by The Penelope and Oliver Makower 1974 Charitable Trust","dimensions":[{"dimension":"Diameter","value":"14.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"No hallmarks","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Shimmer Exhibition RF.2005/756","historicalContext":"","briefDescription":"Bowl, silver, silver and Mokumé Gane, London, 1995, designed and made by Ian Ferguson.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Three Bowls\r\nCopper and stainless steel, copper and iron, copper and shibushi with silver\r\nIan Ferguson\r\nLondon, 1995\r\nMuseum no. LOAN:MAKOWER.12-14\r\nLent by The Penelope and Oliver Makower 1974 Charitable Trust\r\n\r\nIan Ferguson’s work celebrates mokume-gane (wood grain metal), a four-hundred-year-old Japanese technique originally used to decorate sword fittings. The distinctive swirling patterns were created by fusing twenty-one layers of mixed metals to form a thick wad or billet. Gouges were made into the billet’s surface to reveal the colourful metal layers beneath. The billet was then rolled out into a sheet, and Ferguson used hammers and stakes to raise the sheet into the bowls. \r\n","date":{"text":"14.12.2023","earliest":"2023-12-14","latest":"2023-12-14"}}],"partNumbers":["LOAN:MAKOWER.14"],"accessionNumberNum":"14","accessionNumberPrefix":"LOAN:MAKOWER","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-08","recordCreationDate":"2006-01-17","availableToBook":false}}