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It was engraved by Benjamin Cole after Edward Oakley, an architect. The figures in the titlepage, designed by Bosse in 1664, symbolise the balance in classsical architecture between beauty, practice and theory with ‘Reason above all’.","physicalDescription":"96 engravings on copper plates from the Magazine of Architecture, Perspective and Sculpture.","artistMakerPerson":[{"name":{"text":"Cole, Benjamin","id":"A16962"},"association":{"text":"engraver","id":"x30813"},"note":""},{"name":{"text":"Oakley, Edward","id":"A16963"},"association":{"text":"architect","id":"AAT24987"},"note":"after"},{"name":{"text":"Cole, Benjamin","id":"A16962"},"association":{"text":"Made","id":"x28674"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"Copper","id":"AAT11020"}],"techniques":[{"text":"Engraving","id":"AAT53225"}],"materialsAndTechniques":"Engraving on copper plate","categories":[{"text":"Prints","id":"THES48903"},{"text":"Architecture","id":"THES48993"},{"text":"Ornament prints","id":"THES49038"},{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BH8077","2011FB1445"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EO","shelf":"13","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""},{"place":{"text":"London","id":"x28980"},"association":{"text":"Printed","id":"x46159"},"note":"Possibly"}],"productionDates":[{"date":{"text":"1730","earliest":"1730-01-01","latest":"1730-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Presented by J. 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Engravings (96) from the Magazine of Architecture, Perspective and Sculpture.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Snodin, Michael (ed.), assisted by Elspeth Moncrieff, <u>Rococo: Art and Design in Hogarth’s England</u> (exh. cat.: The Victoria and Albert Museum, London, 16 May – 30 September 1984), 35."},{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum,  Department of Engraving, Illustration and Design,  Accessions 1913,</u> London: Printed for His Majesty's Stationery Office, 1914"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[{"text":"Oakley, Edward","id":"A16963"}],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"architecture","id":"AAT54156"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The full text of the label is as follows:\r\n\r\n\"<b>TITLEPAGE TO ABRAHAM BOSSE, <i>A PRACTICAL TREATISE ON THE FIVE ORDERS OF ANCIENT ARCHITECTURE</i></b> \r\nEnglish, 1730\r\nEngraving by Benjamin Cole after Edward Oakley\r\n\r\nThe figures in the titlepage, designed by Bosse in 1664, symbolize the balance in classical architecture between beauty and the solid, practice, and theory linked by conveniency, with 'Reason above all'.\r\n\r\nE.3026-1913\"","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["E.3026-1913"],"accessionNumberNum":"3026","accessionNumberPrefix":"E","accessionYear":1913,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2005-12-06","availableToBook":false}}