{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1190461"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1190461/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011EP5672/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011EP5672/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2011EP5672","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1190461/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1190461","accessionNumber":"E.2:8-1986","objectType":"Design","titles":[{"title":"Jewellery Design","type":"generic title"}],"summaryDescription":"This design comes from 'The Brogden Album', the album contained 1,593 designs for jewellery and goldsmith's work, mainly in colour and dating between 1848 and 1884. It is a unique record of the years in which John Brogden, an internationally celebrated 'art goldsmith and jeweller worked first in partnership and then as owner-director of his own firm. This was a period of great diversity in fashionable jewellery, and the Brogden firm where noted for their skill in designing and creating a range of styles. \r\n\r\nThe firm was founded by John Brogden the elder in about 1796. From about 1824 to 1831 it was styled 'Brogden and Garland' and thereafter until 1841 'Garland and Watherston'. The younger Brogden, the son of Thomas Brogden and presumably a relative of the founder, served an apprenticeship to J.W. garland as a goldsmith and jeweller from 1834 to 1841. Following Garland's departure, the remaining partner, J.H. Watherston,  removed the firm to new premises at 16 Henrietta Street, Covent Garden and in 1848 joined forces with the younger Brogden.","physicalDescription":"Rectangular card covered in fine paper with a pencil, ink and watercolour drawing depicting a design for a piece of jewellery. A tiara depicting flowers and leaves inlaid with diamonds and rubies and entwined with a gold and blue enamel band inlaid with square diamonds.","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Firm of John Brogden","id":"A9309"},"association":{"text":"","id":""},"note":""}],"artistMakerPeople":[],"materials":[{"text":"card","id":"x30344"},{"text":"paper","id":"x30308"},{"text":"pencil","id":"x30347"},{"text":"ink","id":"AAT15012"},{"text":"watercolour","id":"x33202"}],"techniques":[{"text":"drawing","id":"x32498"},{"text":"painting","id":"x30598"}],"materialsAndTechniques":"Drawing in pencil and watercolour on paper and card.","categories":[{"text":"Designs","id":"THES48968"},{"text":"Jewellery","id":"THES48930"}],"styles":[{"text":"Victorian","id":"x29321"},{"text":"victorian","id":"x29321"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011EP5672"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"MD","shelf":"16","box":""}],"partTypes":[[{"text":"designs","id":"AAT102051"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"London","id":"x28980"},"association":{"text":"","id":""},"note":""}],"productionDates":[{"date":{"text":"ca 1860s","earliest":"1860-01-01","latest":"1869-12-31"},"association":{"text":"","id":""},"note":""}],"associatedObjects":[],"creditLine":"Gift from the Associates and Friends of the V&A","dimensions":[{"dimension":"Height","value":"12.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"21.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"This design was part of the display, <u>Exquisite Artistry: Jewellery Designs from the Brogden Album</u> at the Victoria and Albert Museum, 19 February - 17 November, 2019.","historicalContext":"","briefDescription":"Design for jewellery by Charlotte Isabella Newman (Mrs Philip Newman), 1860s.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Taken from the display label"},{"reference":{"text":"","id":""},"details":"","free":"Huits, Lieske. \"At Once 'Ancient' and 'Modern': <i>The Art-Journal</i>'s Illustrated Catalogues and the Notion of Adaptation in Nineteenth-Century Historicism\", <u>Nineteenth-Century Art Worldwide</u> 21, no. 3 (Autumn 2022), https://doi.org/10.29411/ncaw.2022.21.3.2."}],"production":"","productionType":{"text":"Design","id":"THES48872"},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"jewellery","id":"AAT209286"},{"text":"tiara","id":"AAT46046"},{"text":"enamel","id":"AAT14910"},{"text":"gemstones","id":"x44355"},{"text":"diamond","id":"AAT11084"},{"text":"ruby","id":"AAT11082"},{"text":"flowers","id":"x35571"},{"text":"foliage","id":"x42645"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["E.2:8-1986"],"accessionNumberNum":"2","accessionNumberPrefix":"E","accessionYear":1986,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-09-25","recordCreationDate":"2011-02-01","availableToBook":false}}