{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O117972"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O117972/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BH8960/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BH8960/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006BH8960","copyright":"©Victoria and Albert Museum, London/Estate of Ilse Bing, courtesy Michael Mattis","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O117972","accessionNumber":"E.3072-2004","objectType":"Photograph","titles":[{"title":"Full moon, Cureglia, Switzerland","type":"assigned by artist"}],"summaryDescription":"Ilse Bing (1899-1998) was one of several leading women photographers in the inter-war period. Born into a Jewish family in Frankfurt, she initially pursued an academic career before moving to Paris in 1930 to concentrate on photography.Bing experimented with solarisation from 1934 at the same time as Man Ray (1890-1976) and Lee Miller (1907-1977), although she claimed that she discovered the technique independently of them. Solarisation happens when negatives are exposed to light in the darkroom during developing and printing, producing partly reversed images. Bing’s experiments developed from an interest in light, as she explained at the time, ‘light was considered the medium that permits photography. But for me it became the main subject: the protagonist of my photography’. In this photograph Bing uses the moon as a light source which is unusual in her oeuvre.","physicalDescription":"In this image we can see the moon and clouds through tree tops. 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