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Responding to specific locations in the Museum, the architects explored themes such as study, work, play, performance and contemplation. Seven of the proposals were then selected for construction at full-scale.\r\n\r\nThese projects promoted an attitude to architecture where to 'dwell' meant something more than simply to find shelter. Each building invited the participation of the viewer. These immersive environments reawakened people's ability to inhabit architectural space on both a physical and an emotional level.\r\n\r\nInspired by fairytales, dreams and magic mirrors, the two proposals isolate and intensify natural elements found in the V&A's John Madejski Garden. They blur the boundaries between reality and invention. Situated on top of an ellipse pond and around a tree, each one uses mirrors to create an immersive, contemplative space - an infinite sea and an infinite forest.","physicalDescription":"Architectural model, an acrylic mirror box, with one side open, surrounding an artificial tree made out of an aspen branch with nylon leaves; the exterior of the acrylic mirror box is covered with a thin layer of plastic; the box is fixed to a square plywood base, lightly painted white and inset with a square of green artificial turf; inside the box the turf is covered by a square of metal mesh and a metal mesh strip protrudes from one corner of the box overlapping the base. 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