{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1159917"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1159917/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011EP2791/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011EP2791/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2011EP2791","copyright":"©Victoria and Albert Museum, London/Amirali Ghasemi","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1159917/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1159917","accessionNumber":"E.363-2010","objectType":"Photograph","titles":[{"title":"Parties","type":"series title"}],"summaryDescription":"Amirali Ghasemi lives and works in Tehran, where he trained as a graphic designer. The series <i>Parties</i> shows young Iranians socialising in private homes, their faces and other exposed flesh blocked out to protect their identities and also to call attention to the subversive nature of their actions under the current regime. Ghasemi states that depending on their contexts, his works 'are interpreted very differently and associated with subjects such as censorship, women's rights, the hijab, and Islam'.","physicalDescription":"A colour photograph depicting people standing near a table; their faces and limbs are devoid of detail, the shapes blocked out in white. The table is laid with party food and tulips in a vase.","artistMakerPerson":[{"name":{"text":"Ghasemi, Amirali","id":"A34156"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"c-type colour photography","id":"x35645"},{"text":"digital imaging","id":"AAT237903"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Digital c-type print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011EP2791"],"imageResolution":"high","galleryLocations":[{"current":{"text":"B","id":"THES304660"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Iran","id":"x30220"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"2006","earliest":"2006-01-01","latest":"2006-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"E.355-2010","id":"O1159915"},"association":"Series"}],"creditLine":"Art Fund Collection of Middle Eastern Photography at the V&A and the British  Museum\r\n","dimensions":[{"dimension":"Height","value":"76","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""},{"dimension":"Width","value":"100","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""},{"dimension":"Height","value":"78","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Width","value":"102","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""},{"dimension":"Depth","value":"4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"frame","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Signed, 2006","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Ink, lower right verso"}],"objectHistory":"","historicalContext":"","briefDescription":"Photograph, from the series 'Parties', digital c-type print, by Amirali Ghasemi, Iran, 2005","bibliographicReferences":[{"reference":{"text":"Light from the Middle East: New Photography","id":"AUTH321423"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Iran","id":"x30220"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"tables","id":"x31552"},{"text":"food","id":"AAT254496"},{"text":"parties","id":"AAT69614"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Ghasemi alters what look like ordinary, spontaneous snapshots by blocking out exposed areas of flesh. By pre-emptively censoring his own images, he protects the identity of individuals photographed at unsanctioned private parties. The work evokes the censorship of imported magazines in Iran, where skirts are lengthened and women’s bodies are covered with strokes of black marker. \n\n(Marta Weiss)","date":{"text":"September 2012","earliest":"2012-09-01","latest":"2012-09-30"}}],"partNumbers":["E.363-2010"],"accessionNumberNum":"363","accessionNumberPrefix":"E","accessionYear":2010,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-19","recordCreationDate":"2010-06-09","availableToBook":true}}