{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1159814"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1159814/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011EM7722/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011EM7722/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2011EM7722","copyright":"©Victoria and Albert Museum, London/Shadi Ghadirian","sensitiveImage":false},{"assetRef":"2010EA5215","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1159814/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1159814","accessionNumber":"E.352-2010","objectType":"Photograph","titles":[{"title":"Qajar","type":"series title"}],"summaryDescription":"Shadi Ghadirian is a leading Iranian photographer with a rapidly expanding international reputation. Much of Ghadirian's work addresses the theme of Muslim women living in Iran, exploring ideas such as censorship, religion, modernity, and the status of women.\r\n\r\nThe <i>Qajar</i> series is modelled after studio portraits made in Iran during the Qajar period which spanned the second half of the 19th century to the first two decades of the 20th. Like their predecessors, these formal studio portraits contain props that represent the aspirations of the sitters, but the objects they pose with are jarringly modern, such as in this image, a mountain bike.","physicalDescription":"A black and white photograph of two women standing in traditional Iranian dress, one with headscarf, the other veiled, beside a bicycle.","artistMakerPerson":[{"name":{"text":"Ghadirian, Shadi","id":"A34154"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic paper","id":"AAT14190"}],"techniques":[{"text":"Bromide process","id":"x32893"},{"text":"photography","id":"AAT54225"}],"materialsAndTechniques":"Silver bromide print","categories":[{"text":"Photographs","id":"THES48910"}],"styles":[{"text":"Iranian","id":"x35873"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011EM7722","2010EA5215"],"imageResolution":"high","galleryLocations":[{"current":{"text":"MEZZ","id":"THES385142"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"No","note":""}],"placesOfOrigin":[{"place":{"text":"Iran","id":"x30220"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"1998","earliest":"1998-01-01","latest":"1998-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[{"object":{"text":"E.351-2010","id":"O1160262"},"association":"Series"},{"object":{"text":"E.353-2010","id":"O1159899"},"association":"Series"},{"object":{"text":"E.354-2010","id":"O1159907"},"association":"Series"},{"object":{"text":"E.362-2010","id":"O1159911"},"association":"Series"},{"object":{"text":"E.361-2010","id":"O1159909"},"association":"Series"}],"creditLine":"Art Fund Collection of Middle Eastern Photography at the V&A and the British Museum","dimensions":[{"dimension":"Height","value":"30.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""},{"dimension":"Width","value":"24","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"paper","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph, from the series 'Qajar', silver bromide print, by Shadi Ghadirian, Iran, 1998","bibliographicReferences":[{"reference":{"text":"Light from the Middle East: New Photography","id":"AUTH321423"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Iran","id":"x30220"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"woman","id":"x35642"},{"text":"headscarves","id":"AAT256716"},{"text":"studio portraits","id":"AAT223022"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This series is based on a style of photograph made during Iran’s Qajar period (1786–1925). In those portraits, sitters posed with props representing their aspirations. Here, the sitters wear costumes that approximate Qajar fashion, but the objects they pose with are jarringly modern and western – a mountain bike, a stereo or a can of Pepsi. The contrast makes a comment on the tensions between tradition and modernity that women in Iran face today.\n\n(Marta Weiss)","date":{"text":"September 2012","earliest":"2012-09-01","latest":"2012-09-30"}}],"partNumbers":["E.352-2010"],"accessionNumberNum":"352","accessionNumberPrefix":"E","accessionYear":2010,"otherNumbers":[],"copyNumber":"unique A.P.","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-12-18","recordCreationDate":"2010-06-04","availableToBook":false}}