{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O115578"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O115578/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2012FH9867/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2012FH9867/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2012FH9867","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O115578","accessionNumber":"E.235-1947","objectType":"Print","titles":[{"title":"La Puce","type":"assigned by artist"},{"title":"The Flea","type":"alternative title"},{"title":"Histoire Naturelle","type":"series title"}],"summaryDescription":"This work was commissioned by the most famous publisher working in Paris in the early 20th century, Ambroise Vollard. He commissioned some of the most brilliant artists of the period. The <i>Histoire Naturelle</i> (Natural History) written by the 18th-century French naturalist Georges-Louis Leclerc, Comte de Buffon, was scientifically obsolete by the 20th century, but had become a classic of French literature with its attempt to codify the natural world, often by means of allegory. Picasso's illustrations follow the spirit of the text: many of them are quirky and humorous and show anthropomorphic tendencies.","physicalDescription":"Print of a woman, with her head to the side as if sleeping, her body twisted so that both her breasts and buttocks can be seen","artistMakerPerson":[{"name":{"text":"Picasso, Pablo","id":"A7073"},"association":{"text":"artist","id":"AAT25103"},"note":""},{"name":{"text":"Lacouriere, Roger","id":"A6991"},"association":{"text":"printer","id":"x30811"},"note":""},{"name":{"text":"Fabiani, Alberto","id":"A4851"},"association":{"text":"publisher","id":"x32600"},"note":""},{"name":{"text":"Picasso, Pablo","id":"N12604"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper","id":"x30308"},{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"sugar aquatint","id":"AAT190346"}],"materialsAndTechniques":"Sugar aquatint on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Architectural fittings","id":"THES48994"},{"text":"Designs","id":"THES48968"},{"text":"Printmaking techniques","id":"THES252987"},{"text":"Illustration","id":"THES48938"},{"text":"Images Online","id":"THES48937"},{"text":"Anthropomorphism","id":"THES252998"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2012FH9867"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"MP","shelf":"79","box":""}],"partTypes":[[{"text":"aquatints","id":"AAT41366"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"designed and printed","id":"x37573"},"note":""}],"productionDates":[{"date":{"text":"1942","earliest":"1942-01-01","latest":"1942-12-31"},"association":{"text":"printed","id":"AAT53319"},"note":""},{"date":{"text":"1936","earliest":"1936-01-01","latest":"1936-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"14.25","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"11","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Illustration to Buffon's 'Histoire Naturelle', drawn on the plate by Picasso, etched in sugar aquatint by Roger Lacourière and published by Fabiani, Paris, 1942","historicalContext":"","briefDescription":"'La Puce', sugar aquatint by Pablo Picasso, 1936, from a series illustrating the Comte de Buffon's 'Histoire Naturelle', published by Fabiani, Paris, 1942.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria and Albert Museum, Department of Engraving, Illustration and Design & Department of Paintings, Accessions 1947</u>, London: HMSO, 1950."},{"reference":{"text":"","id":""},"details":"Georges Bloch, Pablo Picasso Catalogue de l'oeuvre grave et lithographie, Vol. I, 1904-1967, Vol. II, 1966-1069, Berne, 1968, 1971. ","free":"Bloch 328-359"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[{"text":"Natural History","id":"x34885"}],"contentLiteraryRefs":["Histoire Naturelle, by Georges Louis Leclerc, Comte de Buffon"],"galleryLabels":[{"text":"The brushstrokes which applied the sugar solution are clearly visable. Such a calligraphic effect could never be achieved by stopping out. \r\n\r\nPrintmaking Techniques Gallery, Henry Cole Wing.","date":{"text":"1983","earliest":"1983-01-01","latest":"1983-12-31"}}],"partNumbers":["E.235-1947"],"accessionNumberNum":"235","accessionNumberPrefix":"E","accessionYear":1947,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-08","recordCreationDate":"2005-08-22","availableToBook":false}}