{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O115576"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O115576/"}},"images":null,"see_also":null},"record":{"systemNumber":"O115576","accessionNumber":"E.374-1946","objectType":"Lithographic stone","titles":[],"summaryDescription":"","physicalDescription":"Engraved lithographic stone for printing cigar-box labels. ","artistMakerPerson":[{"name":{"text":"unknown","id":"A1848"},"association":{"text":"maker","id":"x40240"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"stone","id":"AAT11176"}],"techniques":[{"text":"lithographic engraving","id":"AAT254782"},{"text":"stone engraving","id":"AAT254782"}],"materialsAndTechniques":"Engraving and lithography","categories":[{"text":"Tools & Equipment","id":"THES48883"},{"text":"Smoking accessories","id":"THES49036"},{"text":"Prints","id":"THES48903"},{"text":"Architectural fittings","id":"THES48994"},{"text":"Designs","id":"THES48968"},{"text":"Printmaking techniques","id":"THES252987"},{"text":"Packaging","id":"THES289218"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":[],"imageResolution":"low","galleryLocations":[{"current":{"text":"514A (VA)","id":"THES49773"},"free":"","case":"19","shelf":"DR 7","box":""}],"partTypes":[[{"text":"Lithographic stone","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[],"productionDates":[],"associatedObjects":[{"object":{"text":"E.375-1946","id":"O115577"},"association":""}],"creditLine":"Given by Mr. A. F. Eve","dimensions":[{"dimension":"Height","value":"16.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"21.5","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Depth","value":"4.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Queen Mab","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":"Lower left"}],"objectHistory":"","historicalContext":"","briefDescription":"Engraved and lithographed stone. Cigar-box label featuring a reclining  female figure holding a bunch of tobacco leaves.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>Victoria & Albert Museum Department of Engraving Illustration and Design &  Department of  Paintings, Accessions 1946</u>. London: Published under the Authority of the Ministry of Education, 1949."}],"production":"Place, date and maker unknown.","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"This technique lies halfway between lithography and engraving. The lithographic stone is given a protective film formed by oxalic acid and gum. It is then blackened with lamp black powder to enable the engraved lines to show up. The stone is engraved in much the same way as a metal plate except that the lines are not cut so deep. Immediately the engraving is completed the surface of the stone is flooded with linseed oil which sinks into the engraved parts giving them the power to attract greasy printing ink, while leaving the uncut protected areas unaffected. The stone ins inked with a dabber rather than a roller. It is printed in a normal lithographic press but with a soft underlay and with more than average pressure on the scraper.\r\n\r\nA second stone not in the collection was used to print the parts of the design which are in gold. The ink used in this second printing was mixed with adhesive, on to which gold dust was sprinkled while the ink was still tacky.\r\n\r\nPrintmaking Techniques Gallery, Henry ColeWing","date":{"text":"1983","earliest":"1983-01-01","latest":"1983-12-31"}}],"partNumbers":["E.374-1946"],"accessionNumberNum":"374","accessionNumberPrefix":"E","accessionYear":1946,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2005-08-22","availableToBook":false}}