{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O115575"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O115575/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AA4126/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AA4126/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AA4126","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O115575/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O115575","accessionNumber":"28230:9","objectType":"Print","titles":[],"summaryDescription":"","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Sandby, Paul","id":"C7348"},"association":{"text":"artist","id":"AAT25103"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"},{"text":"paper (fiber product)","id":"AAT14109"}],"techniques":[{"text":"aquatint","id":"AAT53242"},{"text":"etching","id":"AAT53241"}],"materialsAndTechniques":"Aquatint with etched outlines","categories":[{"text":"Architecture","id":"THES48993"},{"text":"Landscapes","id":"THES250800"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AA4126"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLE","id":"THES49657"},"free":"","case":"Z","shelf":"7","box":"B"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Britain","id":"x32019"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1777","earliest":"1777-01-01","latest":"1777-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Print, aquatint with etched outlines, by Paul Sandby R.A. (1725-1809), depicting Chepstow Castle, 1777","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Aquatint with etched outlines\r\n\r\nSandby pioneered the use of the spirit ground. In this method the resin, dissolved in spirit, was poured or painted on to the warmed plate, the spirit quickly evaporating. The advantage of this method is that it allows the artist to make spontaeneous marks with his brush. However, he is still required to stop out the surrounding areas which are to remain blank.\r\n\r\nPrintmaking Techniques Gallery, Henry Cole Wing","date":{"text":"1983","earliest":"1983-01-01","latest":"1983-12-31"}}],"partNumbers":["28230:9"],"accessionNumberNum":"28230","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-12","recordCreationDate":"2005-08-22","availableToBook":false}}