{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O114226"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O114226/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011FA9413/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011FA9413/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2011FA9413","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O114226/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O114226","accessionNumber":"29207:1","objectType":"Print","titles":[{"title":"Melee d'Hommes nus","type":""}],"summaryDescription":"","physicalDescription":"Print showing a fight scene with men biting and hitting each other","artistMakerPerson":[{"name":{"text":"Etienne Delaune","id":"A8334"},"association":{"text":"designed and engraved by","id":"x42354"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Engraving","categories":[{"text":"Prints","id":"THES48903"},{"text":"Myths & Legends","id":"THES49005"},{"text":"Ornament prints","id":"THES49038"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011FA9413"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EO","shelf":"14","box":"A"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"No","note":"06/08/2024 CW removed because nothing overtly offensive identified (ZH)"}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":"possibly; see Christophe Pollet, <u>Les Gravures d'Etienne Delaune (1518-1583)</u> (Villeneuve d'Ascq: Presses universitaires du Septentrion, 2001), vol. I, p. 17."}],"productionDates":[{"date":{"text":"1550-1560","earliest":"1550-01-01","latest":"1560-12-31"},"association":{"text":"made","id":"x28654"},"note":"possibly; see Christophe Pollet, <u>Les Gravures d'Etienne Delaune (1518-1583)</u> (Villeneuve d'Ascq: Presses universitaires du Septentrion, 2001), vol. I, p. 218."}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"6.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Length","value":"21.9","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Edges are uneven","marksAndInscriptions":[{"content":"Lettered in the lower left of the plate:\r\n\r\n'Stephanus Fecit'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Lettered in the lower centre of the plate: \r\n\r\n'Cum pri Regis'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"Lettered 'S' in the lower right of the plate.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Pollet argues that in this series Delaune seems to have been very influenced by the engravings of 'Combats' by German masters such as Georg Pencz or the Beham brothers. See Christophe Pollet, <u>Les Gravures d'Etienne Delaune (1518-1583)</u> (Villeneuve d'Ascq: Presses universitaires du Septentrion, 2001), vol. I, p. 219.","historicalContext":"","briefDescription":"Etienne Delaune, Plate 6 from a suite of 8 entitled <i>Combats et Triomphes.</i> French, pre-1556(?)","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Pollet, Christophe, <u>Les Gravures d'Etienne Delaune (1518-1583)</u> (Villeneuve d'Ascq: Presses universitaires du Septentrion, 2001), vol. I, pp. 227, no. 28."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"battles","id":"AAT185692"},{"text":"mythological beasts","id":"x35333"},{"text":"figures","id":"AAT189808"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"PRINTS FROM A SET OF BATTLES AND TRIUMPHS\r\nFrench, about 1560\r\nEngravings by Etienne Delaune (1519-83)\r\n\r\nEngraved ornament of this kind would have been used to design decorative borders and friezes, and some was probably specifically intended for arms and armour. The prints show a battle of savages, of lapiths and centaurs (half man, half horse) and satyrs (half man, half goat) and a comic battle of peasants. The processional triumph pf Bacchus, the god of wine, includes his female worshippers, the maenads.\r\n\r\n22742.1, 26402.1, 28919, 29207.1&8","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["29207:1"],"accessionNumberNum":"29207","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-02","recordCreationDate":"2005-07-20","availableToBook":false}}