{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O114132"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O114132/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2011EV5779/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2011EV5779/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2011EV5779","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BH8088","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O114132/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O114132","accessionNumber":"27063","objectType":"Print","titles":[{"title":"Chimneypiece: Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs","type":""},{"title":"Diverse ways of ornamenting chimneypieces and all other parts of houses taken from Egyptian, Etruscan, and Grecian architecture","type":"series title"},{"title":"Diverse maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca e Greca","type":"series title"}],"summaryDescription":"This print is part of a set of etchings by Giovanni Battista Piranesi, titled<i> Diverse Ways of Ornamenting Chimneypieces and All Other Parts of Houses Taken from Egyptian, Etruscan, and Grecian Architecture</i> (1769). \n\nThe plates feature designs for chimneypieces, clocks, and furniture, integrating classical motifs into contemporary interiors. <i>Diverse Maniere d’Adornare i Cammini</i> (1769) presents 61 chimneypiece designs created for patrons such as the Earl of Exeter and John Hope, incorporating Roman, Etruscan, and Egyptian-style elements, including decorations for the Caffè degli Inglesi.\n\nThe volume also contains over 100 designs for furniture and decorative objects, conceived to create cohesive interiors. Surviving works, such as Piranesi’s side-table designs for Cardinal Rezzonico (now in Minneapolis and Amsterdam), attest to his lasting influence on neoclassical design.\r\n\r\nA preparatory pen study, preserved at the Kunstbibliothek in Berlin (Jacob 1975, 873, inv. 6301), represents an early concept for this chimneypiece, with the frieze already at a well-defined stage.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Piranesi, Giovanni Battista","id":"A8740"},"association":{"text":"print-maker","id":"AAT25164"},"note":""},{"name":{"text":"Piranesi, Giovanni Battista","id":"A8740"},"association":{"text":"publisher","id":"x32600"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"paper (fiber product)","id":"AAT14109"},{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"etching (printing process)","id":"AAT53241"}],"materialsAndTechniques":"Etching, ink on paper","categories":[{"text":"Prints","id":"THES48903"},{"text":"Architectural fittings","id":"THES48994"},{"text":"Interiors","id":"THES48933"},{"text":"Ornament prints","id":"THES49038"}],"styles":[{"text":"italian","id":"AAT111198"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2011EV5779","2006BH8088"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EO","shelf":"92","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Rome (city)","id":"x29106"},"association":{"text":"first published","id":"x46563"},"note":""}],"productionDates":[{"date":{"text":"1769","earliest":"1769-01-01","latest":"1769-12-31"},"association":{"text":"first published","id":"x46563"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"24.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""},{"dimension":"Width","value":"38.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"plate","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Lower left: 'Cavalier Piranesi inv. ed inc.'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""},{"content":"The plate is numbered '23' in the lower right.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"","historicalContext":"","briefDescription":"'Chimneypiece: Bird in shell at the center of the lintel, with a frieze of trophies, surmounted by an overmantel with candelabra and flanked by chairs' from the series <i>Diverse maniere d'adornare i cammini ed ogni altra parte degli edifizi desunte dall'architettura Egizia, Etrusca e Greca</i>,etching by Giovanni Battista Piranesi, first published in Rome, 1769","bibliographicReferences":[{"reference":{"text":"John Wilton-Ely, Giovanni Battista Piranesi. The Complete Etchings, 2 vols., 1st ed., San Francisco: Alan Wofsy Fine Arts, 1994","id":"AUTH405198"},"details":"","free":""}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"chimney pieces","id":"AAT52347"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"PRINT: DESIGN FOR A CHIIMNEYPIECE\r\nItalian, about 1769\r\nEtching by Giovanni Battista Piranesi (1720-78), from <i>Diverse Maniere d'Adornare i Cammini</i>\r\n\r\nAlthough he helped to pioneer the rediscovery of Roman remains Piranesi's imagination and creativity led him to break the rules at least as much as mannerist or baroque designers.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["27063"],"accessionNumberNum":"27063","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[{"type":{"text":"Istituto Centrale per la Grafica, Rome – matrix inventory number","id":"THES403866"},"number":"M-1400_888b"}],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-08","recordCreationDate":"2005-07-18","availableToBook":false}}