{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O114044"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O114044/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GA6702/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GA6702/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GA6702","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O114044/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O114044","accessionNumber":"27785:5","objectType":"Print","titles":[{"title":"Caryatidum","type":"series title"}],"summaryDescription":"This engraving after Hans Vredeman de Vries shows a herm, a column topped by a bust of an ancient god, often Hermes. They were popular in the later 1500s and designs for them were distributed as ornament prints such as this one. This print comes from a set aimed at stonecutters, cabinet-makers, glass painters and other craftsmen. The style of the herm is loosely linked to the Ionic and Doric orders.","physicalDescription":"1st state.","artistMakerPerson":[{"name":{"text":"Hans Vredeman de Vries","id":"N2404"},"association":{"text":"Designer","id":"x36960"},"note":"After"},{"name":{"text":"Lucas van Doetechum","id":"A14733"},"association":{"text":"Printmaker","id":"AAT25164"},"note":""},{"name":{"text":"Gerard de Jode","id":"A18340"},"association":{"text":"Publisher","id":"x32600"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[],"materialsAndTechniques":"Engraving","categories":[{"text":"Prints","id":"THES48903"},{"text":"Architecture","id":"THES48993"},{"text":"Ornament prints","id":"THES49038"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2013GA6702"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EO","shelf":"103","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Antwerp","id":"x28724"},"association":{"text":"Published","id":"x30682"},"note":""}],"productionDates":[{"date":{"text":"1560-70","earliest":"1560-01-01","latest":"1570-12-31"},"association":{"text":"Published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"15.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"To plate mark","note":""},{"dimension":"Width","value":"23.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"To plate mark","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Numbered '1' in the lower centre of the plate.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"The great popularity in the later 1500s of herms and terms as architectural supports led to prints like these. They come from a set aimed at stonecutters, cabinet-makers, glass painters and other craftsmen. They are loosely linked to the Ionic and Doric orders.","historicalContext":"","briefDescription":"Hans Vredeman de Vries. Plate 6 of thirteen including title plate, from a suite of seventeen designs for caryatids and terminal figures entitled 'Caryatidum'. Antwerp, about 1565.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Hollstein, F. W. H., et al. <u>The New  Hollstein, Dutch and Flemish etchings, engravings and woodcuts, ca. 1450-1700</u> (Amsterdam: Menno Hertzberger, 1997): vol. 48, Vredeman de Vries part I, nos.223-239."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"herms","id":"AAT47170"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"PRINTS: HERMS\r\nLow Countries, about 1560\r\nEngravings after Hans Vredman de Vries\r\n\r\nThe great popularity in the later 1500s of herms and terms as architectural supports led to prints like these. They come from a set aimed at stonecutter, cabinet makers, glass painters and other craftsman. They are loosely linked to the Ionic and Doric orders.\r\n\r\n27785.5","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["27785:5"],"accessionNumberNum":"27785","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-08","recordCreationDate":"2005-07-12","availableToBook":false}}