{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O1137063"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O1137063/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2010EF7354/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2010EF7354/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2010EF7354","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O1137063/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O1137063","accessionNumber":"DYCE.286","objectType":"Drawing","titles":[],"summaryDescription":"","physicalDescription":"Young man holding a book with both hands, his face turned round, and nearly in full view; Black chalk, the face tinted with crayons; Said to be the artist’s portrait.","artistMakerPerson":[{"name":{"text":"Parmigianino","id":"A5258"},"association":{"text":"artist","id":"AAT25103"},"note":"ascribed to"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"black chalk","id":"AAT80058"},{"text":"Crayon","id":"x30605"}],"techniques":[{"text":"drawing","id":"AAT54196"},{"text":"tinting","id":"AAT53059"}],"materialsAndTechniques":"Black chalk, the face tinted with crayons","categories":[{"text":"Drawings","id":"THES48966"}],"styles":[{"text":"Parmesan School","id":"x44684"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2010EF7354"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLH (VA)","id":"THES49654"},"free":"","case":"DG","shelf":"19","box":""}],"partTypes":[[{"text":"drawings","id":"AAT33973"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Italy","id":"x28927"},"association":{"text":"drawn","id":"x30545"},"note":"possibly"}],"productionDates":[{"date":{"text":"16th century","earliest":"1500-01-01","latest":"1600-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Bequeathed by Rev. Alexander Dyce","dimensions":[{"dimension":"Height","value":"7.3","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"6.2","unit":"in","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""}],"dimensionsNote":"Original measurements converted from fractional inches into decimal inches (rounded to one decimal place).\r\nDimensions taken from: <u>DYCE COLLECTION. A Catalogue of the Paintings, Miniatures, Drawings, Engravings, Rings and Miscellaneous Objects Bequeathed by The Reverend Alexander Dyce</u>. London : South Kensington Museum, 1874.","marksAndInscriptions":[],"objectHistory":"Collection - Lord Spencer.","historicalContext":"","briefDescription":"Parmigianino (ascribed to); Young man holding a book with both hands, his face turned round, and nearly in full view; Black chalk, the face tinted with crayons; Said to be the artist’s portrait; Parmesan School; 16th century.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"<u>DYCE COLLECTION. A Catalogue of the Paintings, Miniatures, Drawings, Engravings, Rings and Miscellaneous Objects Bequeathed by The Reverend Alexander Dyce</u>. London : South Kensington Museum, 1874."},{"reference":{"text":"","id":""},"details":"","free":"Ward-Jackson, Peter, <u>I</u><u>talian Drawings Volume II. 17th-18th century,</u> London: Her Majesty's Stationary Office, 1980, pp. 196-197.\n\nThe text is as follows:\n\nSCHOOL UNKNOWN: mid 18th century\n\n1265\n\r\nHead and shoulders of a youth or young woman holding a book\r\nInscribed in ink ‘Parmigiano’ on a slip of paper pasted on to the mount; and on the mount itself in pencil ‘from Lord Spencer’s collection’\r\nBlack chalk touches with red and yellow chalks\r\n7 ¼ x 6 ¼ (183 x 158)\t\t\t\tDyce 286\n\nPROVENANCE Lord Spencer (lugt 1530); Dyce Bequest 1869\r\n\nLITERATURE <i>Dyce Collection</i> no. 286 (as ‘anonymous, ascribed to Parmigiano…said to be the artist’s portrait’)\r\n\r\nThe sfumato effect which the artist evidently intended to obtain by stumping had been increased by wear, and the drawing is in a state which makes it difficult to judge it. The costume and the pose are characteristic of the 16th century. The drawing may be a record made by a later artist of a cinquecento painting or drawing, or it may be a deliberate imitation. \r\n"}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"man","id":"x35641"},{"text":"book","id":"AAT28051"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["DYCE.286"],"accessionNumberNum":"286","accessionNumberPrefix":"DYCE","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-02","recordCreationDate":"2009-09-14","availableToBook":false}}