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Its distance from the eye makes possible a humorous comment on classical correctness, for the pendant medallions end in forms that resemble Corinthian capitals but are in fact harpies, or mythological figures, half-woman, half-bird.  \r\nFormerly Soulages Collection.","historicalContext":"","briefDescription":"Section of a cornice, softwood, richly-modelled and originally painted blue, Italy (Venice), about 1570","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"London, South Kensington Museum: Ancient and Modern Furniture & Woodwork in the South Kensington Museum, described with an introduction by John Hungerford Pollen  (London, 1874), p.324\r\n\"Woodwork. The cornice of a room. Carved pine wood. A composition of pendent modillions, and richly carved mouldings with projecting bosses in the soffit. Venetian. About 1570... 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