{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O112715"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O112715/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE6232/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE6232/","_alt_iiif_image":[],"imageResolution":"low","_images_meta":[{"assetRef":"2006AE6232","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":null},"record":{"systemNumber":"O112715","accessionNumber":"CIRC.538-1976","objectType":"Photograph","titles":[{"title":"Stonehenge","type":"assigned by artist"}],"summaryDescription":"Caponigro almost totally fills the frame with a wall of stone. In the portfolio from which this image comes he has written:\r\n\r\n  \"Although the uprights and lintels obviously served as windows and doors one senses a greatness coming through yet another door. A greatness which perseveres in another dimension and causes chronological time to melt away. We may never know for certain why ancient man assembled these stones. But man's humanity can sense the nobility and feel the aspirations that materialized into a great internal idea. Sentinel like, the stones stand as if encompassing all inner and outer boundaries.\"","physicalDescription":"archivally processed silver photographic print","artistMakerPerson":[{"name":{"text":"Caponigro, Paul","id":"A14696"},"association":{"text":"photographer","id":"AAT25687"},"note":""},{"name":{"text":"Caponigro","id":"A14696"},"association":{"text":"photographer","id":"x43821"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"photographic","id":"AAT14190"}],"techniques":[{"text":"gelatin silver process","id":"AAT139114"},{"text":"silver","id":"AAT133274"}],"materialsAndTechniques":"Gelatin-silver print","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Architecture","id":"THES48993"},{"text":"Archaeology","id":"THES48874"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AE6232"],"imageResolution":"low","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"915","box":"C"}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Stonehenge","id":"x34339"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"probably around 1970 - 1972","earliest":"1970-01-01","latest":"1972-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"Acquired from the Artist.","dimensions":[{"dimension":"Height","value":"48.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Width","value":"35","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"image","note":""},{"dimension":"Height","value":"50.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"40.3","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"","value":"12 3/8","unit":"in","qualifier":"","date":{"text":"1976","earliest":"1976-01-01","latest":"1976-12-31"},"part":"","note":"Taken from Departmental Circulation Registers: 1976-1977"},{"dimension":"","value":"19 1/16","unit":"in","qualifier":"","date":{"text":"1976","earliest":"1976-01-01","latest":"1976-12-31"},"part":"","note":"Taken from Departmental Circulation Registers: 1976-1977"}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"'Stonehenge'; one of a series of 12 archivally processed silver print by Paul Caponigro, 20th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Moore, Andrew and Nigel Larkin, eds. <u>Art at the Rockface. The Fascination of Stone</u>.London : Philip Wilson Publishers, 2006. ISBN 0903101793."},{"reference":{"text":"","id":""},"details":"","free":"Taken from Departmental Circulation Registers: 1976-1977 "}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Stonehenge","id":"x34339"}],"associatedPlaces":[{"text":"Stonehenge]","id":"x34339"},{"text":"Wiltshire","id":"x29260"},{"text":"England","id":"x28826"}],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"stone","id":"AAT11176"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"Caponigro almost totally fills the frame with a wall of stone. In the portfolio from which this image comes he has written:\r\n\r\n  \"Although the uprights and lintels obviously served as windows and doors one senses a greatness coming through yet another door. A greatness which perseveres in another dimension and causes chronological time to melt away. We may never know for certain why ancient man assembled these stones. But man's humanity can sense the nobility and feel the aspirations that materialized into a great internal idea. Sentinel like, the stones stand as if encompassing all inner and outer boundaries.\"","date":{"text":"22/09/2004","earliest":"2004-09-22","latest":"2004-09-22"}}],"partNumbers":["CIRC.538-1976"],"accessionNumberNum":"538","accessionNumberPrefix":"CIRC","accessionYear":1976,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-05-02","recordCreationDate":"2005-06-07","availableToBook":false}}