{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O112703"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O112703/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE6247/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE6247/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE6247","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AE6212","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O112703/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O112703","accessionNumber":"3173-1955","objectType":"Photograph","titles":[{"title":"Rheims Cathedral, France","type":"assigned by artist"}],"summaryDescription":"During the 1850s, photographic technology advanced considerably. Glass negatives -\r\nrather than earlier paper ones - attained a level of detail previously unseen. However, the choice of lenses was still limited, negatives were sensitive to a relatively narrow tonal range and over-sensitive to the colour blue. Consequently, many architectural photographers excluded a building's setting, such as the sky or surrounding constructions. The resulting concentration upon details, as in this image, was often both an aesthetic choice and a matter of technical necessity.","physicalDescription":"Photograph of Gothic cathedral entrance front doorways.","artistMakerPerson":[{"name":{"text":"Bisson, Louis Auguste","id":"A7557"},"association":{"text":"photographer","id":"AAT25687"},"note":""},{"name":{"text":"Bisson, Auguste Rosalie","id":"A7558"},"association":{"text":"photographer","id":"AAT25687"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"albumen process","id":"AAT133274"}],"materialsAndTechniques":"Albumen print from wet collodion on glass negative","categories":[{"text":"Photographs","id":"THES48910"},{"text":"Architecture","id":"THES48993"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006AE6247","2006AE6212"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLF","id":"THES49656"},"free":"","case":"X","shelf":"461","box":""}],"partTypes":[[{"text":"photograph","id":"AAT46300"}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Rheims","id":"x32630"},"association":{"text":"photographed","id":"x30151"},"note":""}],"productionDates":[{"date":{"text":"ca. 1850-1860","earliest":"1845-01-01","latest":"1860-12-31"},"association":{"text":"photographed","id":"x30151"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"45.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Width","value":"37.7","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":""},{"dimension":"Height","value":"57.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""},{"dimension":"Width","value":"46.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"sheet","note":""}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Photograph of Gothic cathedral entrance front doorways by Louise Auguste and Auguste Rosalie Bisson, made in Rheims, ca. 1850-1860.","bibliographicReferences":[],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[{"text":"Rheims","id":"x32630"}],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"cathedrals","id":"AAT7501"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"During the 1850s, photographic technology advanced considerably. Glass negatives -\r\nrather than earlier paper ones - attained a level of detail previously unseen. However, the choice of lenses was still limited, negatives were sensitive to a relatively narrow tonal range and over-sensitive to the colour blue. Consequently, many architectural photographers excluded a building's setting, such as the sky or surrounding constructions. The resulting concentration upon details, as in this image, was often both an aesthetic choice and a matter of technical necessity.","date":{"text":"22/09/2004","earliest":"2004-09-22","latest":"2004-09-22"}},{"text":"Bisson Frères: Louis-Auguste (1814–76) and Auguste-Rosalie (1826–1900)\r\nFour Views of Reims Cathedral\r\nAbout 1855\r\n\r\nThe Architectural Photographic Association’s first exhibition included work by Bisson Frères. The Building News noted that these ‘magnificent works’ would provide ‘a fine example of the value of photography to architecture’, unlike ‘the picturesque bits from Tintern Abbey with more ivy than architecture’.\r\n[44 words]\r\n\r\nReims Cathedral, Cloisters \r\nAlbumen print\r\nMuseum no. 35:832\r\n\r\nReims Cathedral, Figures on the West Front Portal\r\nAlbumen print\r\nMuseum no. 35:844\r\n \r\nReims Cathedral, Front Doorway\r\nAlbumen print\r\nMuseum no. 3173-1955\r\n\r\nReims Cathedral, Portal on the North Side\r\nAlbumen print\r\nMuseum no. 35:865","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["3173-1955"],"accessionNumberNum":"3173","accessionNumberPrefix":"","accessionYear":1955,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2005-06-07","availableToBook":false}}