{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O112684"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O112684/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006BA0689/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006BA0689/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006BA0689","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2013GA3268","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O112684/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O112684","accessionNumber":"13630:1","objectType":"Etching","titles":[{"title":"Teutsche Academie der Edlen Bau-Bild-und Mahlerey-Künste","type":"series title"}],"summaryDescription":"This engraving by Eimmert after Joachim von Sandrart is from his <i>Teutsche Academie</i>. Until the late 17th century designers had to rely on 16th-century prints for their knowledge of vases and other Roman objects. The vases shown here are taken from the designs of Agostine Veneziano, Polidoro de Caravaggio and Enea Vico. They are placed before ruins, to suggest that they are Roman originals; none would now be mistaken for a real Roman object.","physicalDescription":"Etching","artistMakerPerson":[{"name":{"text":"Sandrart, Joachim von (I)","id":"A14679"},"association":{"text":"artist","id":"AAT25103"},"note":"after"},{"name":{"text":"Georg Christoph Eimmart","id":"A39910"},"association":{"text":"Engraver","id":"x30810"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"printing ink","id":"AAT187371"}],"techniques":[{"text":"engraved","id":"AAT53225"},{"text":"etching","id":"AAT53241"}],"materialsAndTechniques":"Etching","categories":[{"text":"Prints","id":"THES48903"},{"text":"Vases","id":"THES48879"},{"text":"Ornament prints","id":"THES49038"}],"styles":[],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2006BA0689","2013GA3268"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EO","shelf":"97","box":"A"}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Nuremberg","id":"x29057"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1679","earliest":"1679-01-01","latest":"1679-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"33.1","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Cut to ","note":""},{"dimension":"Width","value":"21.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"Cut to ","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Signed in the lower right of the plate: \r\n\r\n'Eimmert. scul:'","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Until the late 17th century designers had to rely on 16th century prints for their knowledge of vases and other Roman objects. Here the vases so suggestively placed before ruins are taken from the designs of Agostine Veneziano, Polidoro de Caravaggio and Enea Vico. None would now be mistaken for a real Roman object.","historicalContext":"","briefDescription":"Joachim von Sandrart. Print of vases and a candlesticks after designs by Polidoro da Caravaggio, Leonardo da Udine, Agostino Veneziano and Enea Vico, shown against a backdrop of roman ruins. From a suite of plates entitled 'Teutsche Academie der Edlen Bau-Bild-und Mahlerey-Künste'. Germany, 1679.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Fuhring, P. <u>Ornament prints in the Rijksmuseum II: The Seventeenth Century</u>, 3 vols, Rotterdam, 2004, vol. 1, nos. 1863-1865."}],"production":"Engraving by Cimmert after Joachim von Sandrart from his <i>Teutsche Academie</i>","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"vases","id":"AAT132254"},{"text":"candlesticks","id":"AAT37588"},{"text":"roman ruins","id":"x37522"}],"contentConcepts":[{"text":"classicism","id":"AAT56513"}],"contentLiteraryRefs":[],"galleryLabels":[{"text":"The full text of the label is as follows:\r\n\r\n\"<b>PRINT: VASES AND A CANDLESTICK AMONG THE RUINS</b> \r\nGerman, 1675-79 \r\nEngraving by Eimmert after Joachim von Sandrart (1630-1708) from his book <i>Teustche Academie</i> \r\n\r\nUntil the late 17th century designers had to rely on 16th century prints for their knowledge of vases and other Roman objects.  Here the antiquities so suggestively placed before ruins are taken from the designs of Agostino Veneziano, Polidoro da Caravaggio and Enea Vico. None would now be mistaken for a real Roman object. \r\n\r\n13630.1\"","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["13630:1"],"accessionNumberNum":"13630","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-04-16","recordCreationDate":"2005-06-06","availableToBook":false}}