{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O112303"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O112303/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2007BM6469/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2007BM6469/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2007BM6469","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O112303/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O112303","accessionNumber":"4479A-1901","objectType":"Vase","titles":[],"summaryDescription":"","physicalDescription":"Vase and stopper of clear glass, composed of fragments enclosing twisted latticinio threads among which are set portions of milleflori. The vase has an ovoid body, short stem with two projecting bands and a spreading foot. The stopper has a narrow neck with a scrolled handle on either side and a projection above surmounted by a small finial rounded at the top.","artistMakerPerson":[],"artistMakerOrganisations":[{"name":{"text":"Salviati & C.","id":"A359"},"association":{"text":"makers","id":"AAT251917"},"note":""}],"artistMakerPeople":[],"materials":[{"text":"glass","id":"AAT10797"}],"techniques":[{"text":"glassworking","id":"AAT53929"}],"materialsAndTechniques":"Clear glass enclosing latticinio threads and milleflori.","categories":[{"text":"Glass","id":"THES48946"}],"styles":[],"collectionCode":{"text":"CER","id":"THES48594"},"images":["2007BM6469"],"imageResolution":"high","galleryLocations":[{"current":{"text":"001","id":"THES335638"},"free":"","case":"","shelf":"","box":""},{"current":{"text":"001","id":"THES335638"},"free":"","case":"","shelf":"","box":""}],"partTypes":[[{"text":"Stopper","id":""}],[{"text":"Vase","id":""}]],"contentWarnings":[{"apprise":"","note":""},{"apprise":"","note":""},{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"Venice","id":"x29237"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"19th century","earliest":"1800-01-01","latest":"1899-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"31.4","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"converted from measurement in register"},{"dimension":"Diameter","value":"9.8","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"","note":"converted from measurement in register"}],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Vase and stopper, glass, Salviati & Co., Venice, Italy, 19th century","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Zelasko, Stefania, <u>Graflich Schaffgotsch'sche Josephinehutte\r\nKunstglasfabrik in Schreiberhau und Franz Pohl 1842-1900</u>, Passau, 2005, cat. 54."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"VASE AND STOPPER\r\n\r\n   Salviati & Co.\r\n\r\n   Manufacturers\r\n\r\n Venice: about 1845\r\n\r\n     Clear glass\r\nwith latticino threads\r\n\r\n  set with millefiori\r\n\r\n4479 & a-1901\r\n\r\nThis vase and stopper shows the influence of Salviati &Co.'s association with the English archaeologist, Sir Henry Layard, and the Italian collectors, Augusto and Allessandro Castellani. The use of millefiori technique was the result of studies in 1872 of Roman glass fragments from the Murano museum of glass: it is combined here with latticino work in the style of around 1500 and with a Renaissance shape. The jury of the 1878 Paris Exhibition noted that some of Salviati's glass was not intended for use, due to its fragility.","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["4479A-1901","4479-1901"],"accessionNumberNum":"4479","accessionNumberPrefix":"","accessionYear":1901,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE","Stopper","Vase"],"assets":[],"recordModificationDate":"2025-08-06","recordCreationDate":"2005-05-24","availableToBook":true}}