{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O111641"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O111641/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2013GA3575/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2013GA3575/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2013GA3575","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2012FW0046","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006BA0666","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O111641/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O111641","accessionNumber":"20321:1","objectType":"Print","titles":[{"title":"Cartouches de diferentes Inventions. Tres Utilles a plussieurs sortes de Personnes","type":"series title"}],"summaryDescription":"Daniel Rabel’s cartouche prints helped to introduce the auricular style to France. This style was inspired by the curling edges of animal ears, though this print echoes fish-shapes. The ornamental panel known as a cartouche typically consists of a decorated, often asymmetrical, frame, the centre of which would be left blank for an inscription, monogram or coat of arms. \r\n\r\nThe cartouche tradition has been traced back to ancient Egypt, and it could be described as a kind of nameplate, characterised by text such as a name or a title, surrounded by decoration.","physicalDescription":"Plate 12. ","artistMakerPerson":[{"name":{"text":"Rabel, Daniel","id":"A14484"},"association":{"text":"printmaker","id":"AAT25164"},"note":""},{"name":{"text":"Francois, Langlois (de Chartres)","id":"A14741"},"association":{"text":"publisher","id":"x32600"},"note":""},{"name":{"text":"Rabel","id":"A14484"},"association":{"text":"Printmaker","id":"AAT25164"},"note":""},{"name":{"text":"François Langlois","id":"A14741"},"association":{"text":"Publisher","id":"x32600"},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[],"techniques":[{"text":"engraving","id":"AAT53225"}],"materialsAndTechniques":"Engraving","categories":[{"text":"Prints","id":"THES48903"},{"text":"Ornament prints","id":"THES49038"}],"styles":[{"text":"Auricular","id":"AAT21165"}],"collectionCode":{"text":"PDP","id":"THES48595"},"images":["2013GA3575","2012FW0046","2006BA0666"],"imageResolution":"high","galleryLocations":[{"current":{"text":"LVLD","id":"THES49658"},"free":"","case":"EO","shelf":"95","box":""}],"partTypes":[[{"text":"print","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"published","id":"x30682"},"note":""},{"place":{"text":"Paris","id":"x29068"},"association":{"text":"Published","id":"x30682"},"note":""}],"productionDates":[{"date":{"text":"1634","earliest":"1634-01-01","latest":"1634-12-31"},"association":{"text":"Published","id":"x30682"},"note":""}],"associatedObjects":[],"creditLine":"","dimensions":[{"dimension":"Height","value":"12.2","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"To plate mark","note":""},{"dimension":"Width","value":"17.0","unit":"cm","qualifier":"","date":{"text":"","earliest":null,"latest":null},"part":"To plate mark","note":""}],"dimensionsNote":"","marksAndInscriptions":[{"content":"Numbered '12' in the lower right of the plate.","inscriber":{"name":{"text":"","id":""},"association":{"text":"","id":""}},"date":{"text":"","earliest":null,"latest":null},"description":"","interpretation":"","language":"","medium":"","method":"","position":"","script":"","translation":"","transliteration":"","type":"","note":""}],"objectHistory":"Rabel's cartouche print helped to introduce the auricular style to France. Here the curling edges have the character of dried fish, while a fishy mask and horse's skull peer out.","historicalContext":"","briefDescription":"Daniel Rabel. 1 of 6 plates from a suite of 12 designs for horizontal cartouches in the French auricular style entitled 'Cartouches de differentes Inventions. Tres Utilles a plussieurs sortes de Personnes'. France, 1632.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Peter Ward Jackson, Some Main Streams and Tributaries in European Ornament from 1500 to 1750, London, Victoria and Albert Museum, 1969, 42."},{"reference":{"text":"","id":""},"details":"","free":"Fuhring, P. <u>Ornament prints in the Rijksmuseum II: The Seventeenth Century</u>, 3 vols, Rotterdam, 2004, vol. 1, no.1064."}],"production":"Plate from the set <i>Cartouches de differantes Ineuntions Utiles a plusiers Sortes de Persones</i>","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[{"text":"cartouches","id":"AAT10256"},{"text":"fish","id":"x30068"},{"text":"horses","id":"AAT162082"},{"text":"skulls","id":"AAT191856"},{"text":"landscape","id":"AAT15636"}],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[{"text":"PRINT: A CARTOUCHE ENCLOSING A LANDSCAPE\r\nFrench, about 1625\r\nEtching by Daniel Rabel (about 1578-1637) from the set <i>Cartouches de differentes inventions.</i>\r\n\r\nRabel's cartouche prints helped to introduce the auricular style to France. Here the curling edges have the character of dried fish, while a fishy mask and horse's skull peer out.\r\n\r\n20321.1","date":{"text":"","earliest":null,"latest":null}}],"partNumbers":["20321:1"],"accessionNumberNum":"20321","accessionNumberPrefix":"","accessionYear":null,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":[],"recordModificationDate":"2025-08-26","recordCreationDate":"2005-05-03","availableToBook":false}}