{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O111490"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O111490/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AE3884/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AE3884/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AE3884","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AF2950","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O111490/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O111490","accessionNumber":"A.58-1930","objectType":"Cameo","titles":[{"title":"Judith","type":"generic title"}],"summaryDescription":"Shell cameos are much easier to cut than those made from gemstones. Also, the raw material is cheaper and easier to acquire. They were popular in the 16th century and then again in the 18th and 19th centuries, when the passion for carved gemstones led to a parallel explosion in the market for cheaper shell cameos. They are still popular today. The Old Testament figure of Judith holds aloft the severed head of the Assyrian general Holofernes. By using her beauty and charm, Judith had gained his favour and, while he lay in a drunken sleep, decapitated him. The scene was often viewed as an allegory of virtue triumphing over vice.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Unknown","id":"A1848"},"association":{"text":"","id":""},"note":""}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"shell","id":"AAT11829"}],"techniques":[],"materialsAndTechniques":"Shell with isinglass (fish glue) backing","categories":[{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AE3884","2006AF2950"],"imageResolution":"high","galleryLocations":[{"current":{"text":"111 (VA)","id":"THES49918"},"free":"","case":"DU1","shelf":"DR4","box":"2"}],"partTypes":[[{"text":"Cameo judith","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"France","id":"x28849"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1530-1550","earliest":"1530-01-01","latest":"1550-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Dr W. L. Hildburgh, FSA","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"","historicalContext":"","briefDescription":"Cameo, Judith. French, ca. 1530-1550.","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Cf. Eichler, F., Kris, E. <font -u>Die Kameen im Kunsthistorischen Museum.</font> Wien, 1927. p. 169. no. 393. pl. 56."},{"reference":{"text":"","id":""},"details":"","free":"Cf. Dalton, O. M. <font -u>Catalogue of the engraved gems of the post-classical periods in the Department of British and mediaeval antiquities and ethnography in the British Museum.</font> London, 1915. no. 103."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Judith","id":"N619"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.58-1930"],"accessionNumberNum":"58","accessionNumberPrefix":"A","accessionYear":1930,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2016JF6533","2019LN1025","2019LR6696","2019LV9547","2023NN3563"],"recordModificationDate":"2025-04-08","recordCreationDate":"2005-04-25","availableToBook":false}}