{"meta":{"version":"2.1","_links":{"self":{"href":"https://api.vam.ac.uk/v2/object/O111142"},"collection_page":{"href":"https://collections.vam.ac.uk/item/O111142/"}},"images":{"_primary_thumbnail":"https://framemark.vam.ac.uk/collections/2006AM7194/full/!100,100/0/default.jpg","_iiif_image":"https://framemark.vam.ac.uk/collections/2006AM7194/","_alt_iiif_image":[],"imageResolution":"high","_images_meta":[{"assetRef":"2006AM7194","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false},{"assetRef":"2006AE9294","copyright":"© Victoria and Albert Museum, London","sensitiveImage":false}]},"see_also":{"_iiif_pres":"https://iiif.vam.ac.uk/collections/O111142/manifest.json","_alt_iiif_pres":[]}},"record":{"systemNumber":"O111142","accessionNumber":"A.33-1937","objectType":"Cameo","titles":[{"title":"Achilles mourning for Patroclus","type":"generic title"}],"summaryDescription":"The art of engraving gemstones has been admired since the early days of the Roman empire. It was revived in Europe during the Renaissance, and again in the 18th and 19th centuries. Cameos and intaglios were prized and collected, sometimes as symbols of power and mounted in jewelled settings, sometimes as small objects for private devotion or enjoyment. This cameo shows how engravers used subjects that had been popular for centuries. It illustrates a scene from the Trojan War and is one of a number of cameos of different periods that show the same  subject. The image was taken from a Renaissance\r\ncameo, which in turn was a copy of a Roman relief.","physicalDescription":"","artistMakerPerson":[{"name":{"text":"Burch, Edward","id":"A7704"},"association":{"text":"maker","id":"AAT251917"},"note":"possibly"}],"artistMakerOrganisations":[],"artistMakerPeople":[],"materials":[{"text":"onyx","id":"AAT11136"}],"techniques":[],"materialsAndTechniques":"Onyx (layered agate)","categories":[{"text":"Sculpture","id":"THES48896"}],"styles":[],"collectionCode":{"text":"SCP","id":"THES48600"},"images":["2006AM7194","2006AE9294"],"imageResolution":"high","galleryLocations":[{"current":{"text":"111","id":"THES49918"},"free":"","case":"CA9","shelf":"3","box":""}],"partTypes":[[{"text":"Cameo Achilles mourning for Patroclus","id":""}]],"contentWarnings":[{"apprise":"","note":""}],"placesOfOrigin":[{"place":{"text":"England","id":"x28826"},"association":{"text":"made","id":"x28654"},"note":""}],"productionDates":[{"date":{"text":"1775-1810","earliest":"1775-01-01","latest":"1810-12-31"},"association":{"text":"made","id":"x28654"},"note":""}],"associatedObjects":[],"creditLine":"Given by Dr W. L. Hildburgh, FSA","dimensions":[],"dimensionsNote":"","marksAndInscriptions":[],"objectHistory":"Given by Dr W.L Hildburgh, F.S.A.","historicalContext":"","briefDescription":"Achilles mourning for Patroclus, possibly by Edward Burch, ca. 1775-1810","bibliographicReferences":[{"reference":{"text":"","id":""},"details":"","free":"Trusted, Marjorie (ed.) <u>The Making of Sculpture. The Materials and Techniques of European Sculpture.</u> London, 2007, p.148, pl. 284."}],"production":"","productionType":{"text":"","id":""},"contentDescription":"","contentPlaces":[],"associatedPlaces":[],"contentPerson":[{"text":"Achilles","id":"N157"},{"text":"Patroclus","id":"N294"}],"associatedPerson":[],"contentOrganisations":[],"associatedOrganisations":[],"contentPeople":[],"associatedPeople":[],"contentEvents":[],"associatedEvents":[],"contentOthers":[],"contentConcepts":[],"contentLiteraryRefs":[],"galleryLabels":[],"partNumbers":["A.33-1937"],"accessionNumberNum":"33","accessionNumberPrefix":"A","accessionYear":1937,"otherNumbers":[],"copyNumber":"","aspects":["WHOLE"],"assets":["2019LM9393","2019LR0210","2019LR5290","2019LW2012"],"recordModificationDate":"2025-04-08","recordCreationDate":"2005-04-14","availableToBook":false}}